CaptainHowdy

The review is very heartfelt, but it may lack objectivity in judging the work, given that you venerate it, but who cares.

In the eleventh line I wrote "Splinder," a Freudian slip, sorry, of course it's "Splinter."

I was wondering if I had been banned from DeB since I could no longer see my comments... obviously the 25th and the 28th should be read after the 31st and they say the same thing even if in different terms (because I had to rewrite them from scratch...) I apologize for the mess but it wasn't my fault. Bye!

Certo! Inviami il testo che desideri tradurre e provvederò a farlo.

I don't know.

I forgot to turn off the new comment notification and I'm still awake, so I'm contradicting myself and replying to you, also because I care about you. So, I don’t think that Homme and Oliveri were that marginal in Kyuss. Anyway, even if they were, I'm surprised that two ex-members of a band like Kyuss have turned towards these sounds. My comment and my comparison should be seen in this light, so certain comments like “Kyuss have nothing to do with this” - even if they come from very nice users - seem a bit dishonest to me. They would have been honest if I had said, "The Tool are better" or any other contemporary band, but from a group so historically linked, the popular uproar that happened seems quite preposterous. I probably have to say they are generated more by my vote, and if I had said, "Nice, but I prefer Kyuss" and had given it a nice 4, they probably wouldn’t have existed. But it's done now, forgive me. Good night!

I contradict myself because I forgot to deactivate the new comment notification and because I care about you. However, I don't think Homme and Oliveri were that marginal in Kyuss, even if Garcia probably carried more weight. Besides, the presence of half of the surviving members of a band like Kyuss makes every comparison reasonable, especially when facing a style change like this. Everyone is free to think what they want, but I don't believe I said such a ridiculous thing that some comments above subtly denounce (we're talking about people who played in Kyuss, so they definitely matter after all). I might be boring, but I repeat I've expressed my opinion by making a comparison. Feel free to say that my judgment on the album is wrong, but it's a bit less fair to criticize the parallel. After all, it's History, isn't it? Probably, if I had said "Nice, but I prefer Kyuss" and given it a solid 4, there wouldn't have been this popular uprising. Unfortunately, I gave it a 2. Oh well, forgive me, be kind. Now I’ll deactivate the alarm, and goodbye!

Ah, one last thing before going to bed, if you really have to tell me that I don’t understand a damn thing, besides writing it here, send it to me privately because I won’t be coming back to this review. Good night, beautiful people, and no irony, I love you! P.S.: any nomination to Caso Umano will be appreciated.

...and this thing of seeing it as a stain to compare the QOTSA to Kyuss, I haven't compared them to the Village People, but to a band that seems quite close... I don't see the reason to be scandalized.

C'mon, when I say the same components I mean the thinking minds, I know very well that they weren't all the same, come on, let's not nitpick, I liked the Kyuss style, this one I don't, that's all. It doesn't seem like a state matter for a couple of points. Let's move on.