GustavoTanz

The times of "Shadows And Lights" are far away...

Ah, the vote for the review!

I absolutely have to listen. I heard SYOTOS well and I had already reassessed it positively. I have a feeling this Untitled will be even better...

But take it out on those bastards from Cripple Bastards, who wrote one of the ugliest songs ever, called "Dio è solo m***a"... people who can't explain the reasons for their spite against religion (at least Tool with "Eulogy" explained the reason behind their invective)... nothing compared to Verdena... "REQUIEM" IS A MASTERPIECE. NO DOUBT! (at least that's MY opinion)

Neu, IT'S WORTH IT. Gustavo assures you :D

HetfieldGod, shame on you for what you say. And I say this as a fan of both the (OLD) Metallica and the Tre Allegri Ragazzi Morti at the same time. Great review though.

I wrote the same thing as in another review of this album because I want you to understand how far human ignorance can go.

Beautiful review. A record to be listened to again, from a good fan of Marlene. But I wanted to share something I read on another forum, written by a friend of mine who knows NOTHING about Marlene Kuntz: "Come on, there are people who idolize Marlene Kuntz...let's say it's a bit like talking about who and why listens to Tokio Hotel." AND HE ALSO SAID: "Typical text of the Marlene: Love with acknowledgment of receipt that reflects our mutual being distinguished existence at the mercy of thoughts not properly related to us compared to a higher state of emergency. Thoughts that flow on a blade filled with my breathing. sperm, contact, love, blood." I'm sorry, but my friend, believing he is inside Cristiano Godano's head, said one of the greatest BS of the year. But why doesn't he take it out on those ASSHOLES from Cripple Bastards, those who made one of the ugliest songs ever (IN MY OPINION) called "God is just s***"? No, I mean............. p.s. his "come on" refers to the fact that he was defending Vasco Rossi from certain accusations that were coming in.

Having finished listening, I confirm my earlier written judgment. Then there are tracks like "Codice" or "Contatto" that remind me a bit of The Prodigy or some songs by Almamegretta like "Pa' Chango."

It's quite unusual to hear Giovanni Lindo Ferretti's voice on particular electronic beats in this album, but in my opinion, at least from the first listen, it seems like a very brave and interesting attempt. Moreover, as has already been mentioned, there are some references to the CCCP at certain points... perhaps it will take a few more listens, but for now, it strikes me as a rather beautiful album.