GustavoTanz

And who tells you that I haven't really seen it?

Ah, first I forgot to mention that I added a "for the most part" in the final paragraph of my Vaschiano speech that I shouldn't have added...

Pink: as good as she is incompetent. Starblazer, let me tell you: YOU DON'T UNDERSTAND SHIT ABOUT MUSIC.

There's a saying: Let's not confuse what they are today with what they were before.

Pixies77, I don't know if you were addressing me earlier regarding the "historical flame." Anyway, I say it again and again: the period from "Ma Cosa Vuoi Che Sia Una Canzone" to "Liberi Liberi" (including the live "Fronte Del Palco") is, in my opinion, the truly beautiful period when it comes to Vasco Rossi. You may not agree with me, but in the early years, who would have ever attempted to make songs like "Ambarabàciccìcoccò," "(Per Quello Che Ho Da Fare) Faccio Il Militare," "Asilo Republic," "Valium," "Deviazioni," "Dormi Dormi," "Amore...Aiuto"...pieces that I believe are underrated in this guy's career? Perhaps very few. Vasco Rossi has never been the epitome of originality, but during that era, he was special—first, for most, almost scandalous, when he wasn't harmful. Today, however, those who found him scandalous back then are not scandalized by today's nonsense. Oh well. Old age does indeed affect not just Fiasco...now used to writing mostly meaningless things, looking (even poorly) at flying pigs.

"It also made us shit stalactites (His entire discography)" I wouldn't exactly say all...

Not the best Battiato, but a good album. The title track and "Breve Invito A Rinviare Il Suicidio" are two gems.

Anyway, after rereading the review, I must say it’s not as bad as I thought...I’ll raise the rating :D

Emanuel. Emidio. Both are people to be understood in a very deep way.

The beginning of the end. Only "Beautiful Day" and "Elevation" are saved. Maybe I should listen to it again, but that's how I see it...