GustavoTanz

What little I know doesn't seem bad...

Reehkallak, when I pointed out how Saviano (and I reiterate that I like his work from yesterday, not today) has become more interested in how many women Berlusconi meets in recent months, I meant in terms of behavior, of demeanor. Mondadori and Endemol have nothing to do with it, for those who mentioned them. Even without articles by him, you can see it just by watching his recent appearances on "Giustizia E Libertà" and at the Festival del Giornalismo (coincidentally, his master Carlo De Benedetti was also there...), when he claims that the only danger to democracy is that poor idiot we have. Well, this and other statements are simply phrases born from a superficial view of reality, which Roberto Saviano has held in recent times, starting from the shameful letter to the students post-scilipotismo of December 14, 2010. That was the sign of his downfall, and the funny thing is that some of those who gave it a positive value are the same ones (not all, I would be hypocritical and lying) who participated in the fake-rebellious march "Se Non Ora, Quando?", coincidentally also branded as Repubblica (De Benedetti) and who also considered the vampire Sergio Marchionne a national hero, Carlo Giuliani a criminal, and very likely Mario Draghi a resource for today’s politics. Everything connects. But in a country that necessarily needs heroes like this, it’s easy to think that misfortune comes only from one side. Easy and counterproductive.

I want to preface that the book seems interesting (and I didn’t know anything about Carlo Petrini), but I wanted to briefly respond to the good Geenoo regarding Saviano: “Excuse me, but has it become a trend to trash Saviano? Or in the end, did those who wanted him to pay off finally succeed?” I thought the same, but certain actions of his in the last few months, after "Vieni Via Con Me", and one even before, currently raise some doubts, considering that Saviano has become more interested in how many women Berlusconi meets, and nothing is left of the one from "Gomorra." But since Italy necessarily needs idols, well...

I have already expressed my opinion elsewhere. And to think that these days I was revisiting the two splendid remixes by Dave Audè and Bimbo Jones of "Alejandro" (the original version of which is quite forgettable)...

The problem with the Sick Tamburo project, in my opinion, is that when you do things that are too similar to each other, the result isn't always dignified. For example, "Il Mio Cane Con Tre Zampe" is a great piece, while "Tocca 24/7" bores me. However, "Parlami Per Sempre" is worth it.

Three tracks, some remixes and that's it. Forget about the pop genius of recent years.

I only remember "But Not Us" and "There’s A King," which I don't mind...

In my opinion, they are on the right track. It’s no coincidence that I gave three stars. We’ll see what they’ll have to offer next...

I just found out about the new album in these hours. And to think that the first one I got from them is "Trust"...

Simply a fantastic record in every way. And then there's that explosion of beats that is "Forever More"...