supersoul

I have to say something, and if I don't say it, I won't find peace... do you know what the point of this damn comment 52 is that I just can't get over? It's... "I just understood this is about a user who has passed away," I say, but shut up, you big-mouthed brat, what would this better life be for someone who has left us in the midst of their existence filled with music to listen to, friends to meet, the wind on their skin, the warmth of the sun? They banned yosif? Amen, I don't think he'll be one of those we'll miss.

you insist on not understanding or not wanting to understand, you keep going round and round the issue of rating reviews, which I think you've understood doesn't exist for me; perhaps it exists for you, who self-define your review of Pennywise as detailed and include a couple of YOUR own reviews among your favorites. The problem is that if I see a kid reviewing hardcore or punk (not progressive or Italian singer-songwriters) like a cliché from the nineties and giving it five stars, then claims that, in his taste, Iggy sucks when it all started because of him, allow me to say that tastes may be subjective, but you, dear boy... you haven't understood a damn thing. You can write all the detailed reviews you want, but for me, they will always be nonsense; you're missing the fundamentals. ;-)

No, it's not clear yossifff. Anyway, picking up a discussion on a review of Iamsoulman, I consider a 4 an honor, and I support the free will to give any rating one wants to a review. What I do not support are your sappy ratings for the Stooges albums, which turn upside down those hacks from Pennywise. If Lindberg and his crew saw the 2 you gave to Metallic KO and the whopping 5 for their album, they would roll on the floor laughing. Not to mention the term overrated (accompanied by a 1) that you slapped on Hendrix. Trying to look cool with these ratings means not being mature, but being a child, clear enough?

What does "segnalabile please" mean? Are you writing it down in the school check diary?

listened to at full volume these days, it's a terrifying banger, the kind that screams play loud! let's hold onto these records... and genre reviewers ;-)

If one takes the indescribable Tim Buckley of Starsailor, it's easy to say... but what about Fred Neil? If we take pieces like "Once I was" or "Love from room 109" or the melancholic "Blue Melody," there's all the "teaching" of a great like Fred Neil in songs like "A little bit of rain" or the version of "The water is wide." It's incredible how such a talent can disappear from the music world after just a couple of years.

I think like you about localism, and here the beautiful thing is that we Neapolitans, people of love, risk being seen as localists too; we don't wear the green shirt...

better ricky gianco

The fact is that Rino Gaetano was a talent of Italian music, and I believe that few can boast this adjective. The sad thing is that there are people like yosif who weren't even born when his songs were topping the charts, the so-called hit parade, and now they come across as pretentious, saying he was only beatified after his death. And what can you do, don’t you want to give freedom of speech even to yosif?

@47: "But it seems to me that some Neapolitans position themselves as the natural 'cosmonauts' of suffering, as if their being hardened allows them to speak on behalf of everyone with greater weight." Perhaps it's the Neapolitans abroad, because those 'from here' that I know, when they travel around Italy, are always welcomed and received with sympathy, as they do everything but wallow in self-pity. Maybe this is exactly the flaw/virtue of the Neapolitan that distinguishes him from the rest of Italy; while others in his situation would have the sad faces of those who are resentful of the world and are about to shoot themselves, he instead always finds meaning in life, even amid the trash. Having said that, I think it's foolish to post that Neapolitans have the truth in their pockets; I realize without any self-satisfaction that the Napoli planet is at least as far away as the Recife - Pernambuco planet, and I even plan to post a review of a Pernambucano group that in 1974 strangely comes close to Osanna, clearly without knowing them. And forgive my presumption, they could hardly be compared to a group from Belluno or Vercelli, just to name a couple of the cities mentioned by cptgaio. Finally, I am opposed to this 'non-review' by alessioiride for the reasons I have explained to him more than once, and which he, with the stubbornness of Neapolitans, rightly chooses to ignore.