supersoul

I have the BMG label disc with a different title, just Anthony Braxton Live and not The Montreaux/Berlin Concerts. The compositions are indicated by geometric figures and numbers because Braxton was obsessed with mathematics. What can I say? It takes a lot of attention to follow Braxton; two of the six compositions are called Kelvin, which is the category he uses to identify compositions structured around a certain rhythmic phrase that he gives to the musicians, and around which they can improvise. Right now, I'm listening to the last track, which is a fantastic jam, a sort of march that would be perfect for scoring a Tex Avery cartoon. If you liked this, get the same quartet (with Lewis on trombone) from 1976 at the Dortmund festival just before Berlin. Fantastic.

@if you’re referring to the lacquered concert from three years ago for the closing of Bassolino's electoral campaign, I agree with you. But listen to this album... it’s of exceptional power and rage; this woman was a bundle of nerves. The reviewer didn’t mention the date, which is 1975—can you believe it? 1975, and she anticipates, in one fell swoop on an international scale (and not like the immensely unknown Electric Eels in Cleveland or the big fools Dictators in NY), the punk revolution and the new wave even before the Ramones and Television. And while Queen was making melodrama with "A Night at the Opera" and the Eagles were boring us with "Hotel California," she starts the album chanting, "Jesus Christ died for the sins of all but not mine," changing the lyrics to "Gloria" (blues?!?) and talking in the single "Piss Factory" about when they shoved her head in the toilet at the factory where she worked. An epoch-making and watershed album.

Ah yes, geenoo? I read that the confused ex-metalhead reviewer writes "pure american COUNTRY music," but if you say the word country isn't there, then it must be a flaw with my screen. I trust you ;-)

gg junior, I agree about France (the only ones I save are Magma and Zao, plus a few singers) but we must also say that they are more passionate than us about a genre like garage. Just take that commendable French label New Rose; I have a ton of vinyls released by them from Gun Club, Flesheaters, Tav Falco, Jeff MonoMann Connolly's Lyres, etc.

P.S. I have an edition from RCS Rizzoli-Milano Libri published in May 1991.

As Ghemison says, Miller creates visually stunning compositions in his panels. There are extraordinary panels with colors that follow the atmosphere of the story, such as when Casey McKenna is underground in Manhattan, imprisoned by the "cannibals," with the panels progressively turning black. Or completely red during the fight scenes. The choice not to use captions but only the words spoken by the characters greatly enhances the graphic expression. Miller will go even further, but this is already extraordinary.

...or the younger Dwight Yoakam of "Hillbilly de Luxe" and "Buenas Noches from a Lonely Room"

@stercblazer ...so listen to Merle Haggard, you'll make a better impression with you and your ears :-)))

@geeno... why did Neil Young and the Creedence play country? I had no idea. If you had mentioned Waylon Jennings or Willie Nelson... but I bet you've never listened to them ;-)