supersoul

@michoos what ...let's hope not, the climb from Visciano to the sanctuary is one of my biking training spots. You know how many little brats on pilgrimage I'd have up my ass with this plastic music on the iPod.

Thank you for the appreciation, my favorite by Steve? It's hard to say because none are useless, from Guitar Town to the latest. Maybe "Copperhead Road" for its rock 'n' roll side and "Train A' Comin" for the country vibe (by the way, Norman Blake also plays on it, and some Debaser fans are recently reviewing him a lot).

Are you referring to "Townes," the one fresh off the covers of Van Zandt? I haven't listened to it yet, Odra, thank you ;-) By the way, Steve named his son, who is also a musician, James Townes Earle...

@lewis it seems that the site is Music Blog and in any case it would be good to ask psycho, he was a loyal customer of chris. And do you know why Out of Darkness works at work? Because it was a religious group of good principles!! In fact, if you look at the lyrics, they thank the Lord, "Thank you Lord"..."Moses" etc. @ugly panda there would be dozens, among my favorites Lincoln Street Exit, Fraction, and the extraordinary Lollipop Shoppe (all on the hard psychedelic side) @stricnina ...this is my favorite little garden, I owe everything to my older cousins who fed me with hard psycho prog rock from the '70s in spades when I was just a child. Anyway, I share your passion for Townes, who was a life (wrong) teacher for one of my favorite USA singer-songwriters: Steve Earle.

"Kingdom Come" by Sir Lord Baltimore is a five-star masterpiece. Imagine the wilder MC5 drenched in heavy, sizzling sounds, and you get the idea. A blazing trio, the first three tracks of the album assault you, the fourth calms you down with a progressive harpsichord, and the rest of the songs knock you out cold. The funny thing is that their manager was Mike Appel, who years later would make billions with Bruce Springsteen.

I too can humbly recognize when someone knows more than I do, and I often read very carefully before posting. You say I talked little about the music contained in the work under examination? Maybe you didn't read the review properly... I'll copy and paste it here for you: "... But mind you, compared to the simple direct capture of the Iommian riff, Bonsor travels through the album with devastating effects: fuzz blasts, wah-wah, and distorted keyboards. A glaring example is the opener "Entrance of the Devil," with its obscene screams and theatrical laughter embellishing the frenzied work of the instruments. I imagine it as a showstopper in the unhealthy atmosphere of their live performances, amidst sulfurous explosions and flashes. And there's nothing more fitting than the psychotic hard blues of "The Chicago Spline" to continue without any drop in tension: think of the opening riff of "Born to be Wild" by Steppenwolf twisted not to the will of the road but of the Devil, and you'll get the idea. The blues origin of Zior is evident in the robust theme of "Evolution," with Bonsor's voice deeper than usual and the others barking the blasphemous chorus evolution... evolution... evolution!!! While listening to the devastation immersed in psychedelic acid like "Angel of the Highway," I can't help but think of another great Luciferian character like Brian Kild, who was also morbidly drawn to highway accidents. Elsewhere, Zior demonstrates (as they did on the first album) their ability to write chart-topping Zeppelin-esque singles ("Strange Kind of Magic"), stunning timeless folksy ballads ("Time is the Reason"), impure blues like "Cat's Eye" and "She'll Take You Down." But they can also, without any anxiety, give a progressive treatment to their compositions ("Suspended Animation") or drape them in Doorsian echoes (!) like when Morrison recites over Manzanek's keyboards (the title track)." If perhaps this little script isn’t enough for you, and without any polemics just for a laugh, send me a message and I’ll send you the track-by-track ;-)))

just psycho, it’s the second one, for me the best. The first one seems to come from supervai1986.

Sure, it's not like they all come to mind immediately, that's why there's Debaser ;-) Anyway, even the Germans in '70-'71 were going heavy: Eloy, Jeronimo, Light of Darkness who were Scots based in Germany... and among the Americans, of course, there were loads of them... Truth and Janey, Captain Beyond, Sir Lord Baltimore, Highway Robbery... there's a lot to listen to.

always on the heavy side and from the same period, I would say the Josefus of "Dead Man"