supersoul

@alia76: enlighten us, you who have understood everything about life.

The soundtrack with Vedder's lyrics, as I said in another review, is one of the most rhetorical things about this film, which in itself is not rhetorical, and it does a disservice to it.

yours is not a review but an interpretation, and I hope you won't take it personally if I find it quite childish. This guy doesn't escape from the job or the business he's destined for. He escapes from interpersonal relationships, especially since he's someone who is well-liked by everyone. Supertramp is afraid of getting "attached" in a relationship because he's afraid of suffering, and if you see all the people he meets (the parents, the hippie couple, the old man), in one way or another, they are people who suffer because of bonds, of "participations" with others, whether it's a wife, partner, or child.

Well, I saw they gave a 5 to "Milano Odia. la polizia si incazza" by the craftsman Lenzi, so why not give a 5 to this masterpiece by the great Siegel?

What a film, an unheard-of violence for its time, the initial scene in the blind institution is emblematic... the essence of the film lies in the fact that the two cynical and ruthless killers are astonished by their victim's willingness to be killed without putting up any resistance. Great Siegel, another lesser-known but extraordinary film is "Who'll Stop the Rain" with an amazing Walter Matthau, a precursor to "No Country for Old Men." And with Lee Marvin playing a character almost identical to this killer, I recommend "Point Blank" by John Boorman. @bubi it's true, there's also the money briefcase that opens here. A perfect film in its genre.

...anyway, the arrangement with number 1 allowed those interested to listen to the EP, it would be interesting to see how many of those who did are left dissatisfied with Ricky & Co ;-) Especially listening to "Linda," you can understand how much great stuff exists and we don't know about it until some random fool (my apologies to the reviewer) tells us it's there.

strange pixies, the internet is interesting precisely for finding news, this review will make you download the Sleepers' album which would otherwise have risked gathering dust in the net from perfect strangers. As for being wary of an album, I would accompany this advice with a nice one rather than a three, which for me means a good listenable album without reservations.

@pixies let us know why we should be wary of this EP, is there a risk of catching swine flu while listening to it? And then it seems that no one is speaking negatively about the network, the network is not a supernatural entity, it's managed by humans, just like a gun or a lighter.

But the network sometimes shrinks like television with the same old reruns in the lineup; you have to seek out the alternative programs. Everyone talks about Joy Division endlessly and in every possible way, but no one mentions that at the same time on the other side of the ocean, there were these misfits tackling those same sounds. There’s plenty of chatter about the Ramones and Sex Pistols as the fathers of punk, and no one, I mean no one, simultaneously says a word about the Electric Eels from Cleveland who, two years earlier, were punk in the true sense of the word—musically, aesthetically, and attitudinally. Then you happen to listen to them (thanks to tips like this), you listen and are left speechless, the castle that everyone had built for themselves crumbles, forcing you to break apart the pre-packaged puzzle to reassemble it with the new pieces.

I finally "did it" – I got the Sleepers published on an Italian music website, now I can die (musically speaking) happy! If only I had come six months ago to get you a copy of "The Less an Object," I wouldn't have had to wait all this time to read about a great singer like Ricky Williams… if you get that compilation, you'll see how he transforms into… David Bowie!!