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.... here a 360-degree view is exchanged for arrogance... watch out pistolpete, this is a typically post-1991 reaction :)))
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pistolpete, thank you for your interest in my preferences. If I were to take an interest in yours, I would say that you’re right to read cute little magazines of beautiful science fiction like Nathan Never, and cult stuff like "Freddo equatore" by Bilal (which, by the way, is after 1991)—just leave it alone.
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Sure, Ghemison, but behind her was Pratt, and nevertheless in stories like Un'estate indiama I can't stand protagonists drawn like improbable models or showgirls: tiny noses, big eyes, and full lips. At this point, a Von Gotha with all the misadventures of the Janices and the upbringings of the Sophies is preferable...
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You are absolutely right, ghemison, but it’s not so much Necron’s design, which Magnus wanted to be different from his usual style, but rather the smell of subversive death that permeated that series with the doctor injecting silicone into the dicks of the corpses so she could fuck them... and when does that little bourgeois Manara tell a story like that?
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Of course you were objective, but compared to Magnus, those are just journeymen scraping by for their daily bread. With Magnus, they have to do like Moriero did with Ronaldo when he scored for Inter... Did I like Punto Zero? There's a review about it :)
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...removing the space in m agnus...obvious
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listen to an old trombone: enjoy the Necron porno Magnus, unlike those petty bourgeois advertising tales by Manara... Necron
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I'm sorry, but here I see discussions about Dylan Dog, Nathan Never, Dampyr... have a little respect by not talking about this garbage on the page dedicated to the master Roberto Raviola, known as Magnus. Thank you.
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The fact is that the great Magnus doesn’t quite match with Tex, who is a character all of a piece, while the Magnus style shines the most with ambiguous and grotesque characters. I have the utmost respect for this fundamental work, but as a fan of Magnus, I found myself a bit taken aback; it was outside his world filled with messed-up people. I think that with Lo Straniero you actually meant to refer to Lo Sconosciuto.