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"Most people in the husker community look for nice melodies" ...to be honest, I've never really cared what people look for in Husker Du or in another band, I don't know if it's different for you, but it seems so. Bob Mould was one of the most influential guitarists for many other alternative guitarists of the late '80s.
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@fusillo don't take it personally, I was responding to Poletti who, whether reviewing or commenting, has to lash out at someone forcefully. Regarding the topic of "quello che passa il convento," I'm fine with everything, even "Preferisco l'ascensore," "Il monello," and maybe even some films with Ridolini, stuff I grew up with. Then I grew up and also started to appreciate some of the films I hastily mentioned. Should I review them? I would need to rewatch them first, because I don't rely on memory and I don't do school research on the internet, and I don't even have the Mereghetti or Morandini... Best regards and compliments on the review.
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listen to the latest 14-minute track on Zen Arcade and repent for your sins... if I'm not a great guitarist and a great drummer those two.......
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Thank you for the compliments, but I had no doubts about the album... unlike other "products," it has aged wonderfully over time and is still relevant (I even heard someone mention chill out!!!). The fact is that only a few people still know it, despite being hailed as one of the best albums of the '70s. Choosing an album from those produced by John Martyn in the 1971-73 period is a matter of nuances (I recommend "Bless the Weather" to anyone who isn't familiar with it). I feel sorry for his many issues, alcoholism, and the amputation of a leg a few years ago.
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Poletti thinks about updating you by looking at things that are closer to us but seem to have vanished into thin air. I would like to see reviews of "O Lucky Man" by Anderson, "Alphabet City" by Amos Poe, "The Devils" by Ken Russell, "The Australian" by Skolimovski, rather than the Marx Brothers or Fatty Arbuckle. But if this is what's on offer... what can you do... Long live the classics!!!!
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The film you're talking about is Gothic by Ken Russell.
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I'm sorry, but I just happened to pass by here. Since I like punk, I would like to understand what punk attitude means twenty years after the death of punk. Back in the day, they would spit at the audience or even shit in their faces (do you know GG Allin?), not play with mud balls.
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...make another one and put 7 on it....
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Let's forget the awful review which, as the author said, was made after recently discovering the Cramps and reading Scaruffi (by the way, Lux Interior was from Akron), but I would like to point out to Pretazzo that there was another figure who, before the Cramps, was making a sort of rock'n roll horror, and that was Screamin Jay Hawkins. Moreover, concerning how we view New Wave, unfortunately tied to a certain "intellectual" trend, I save the Cramps from this definition; these unfortunate souls were stealing shamelessly from eccentric groups like Don & the Galaxies, the Buster, the Shades, the Rumbles... and God save and free the Cramps from being labeled as New Wave... after all, on the back of my vinyl cover, it says: "Files under sacred music" !!!!
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...besides the homage to music, Bird is one of the most beautiful "biographical" films about artists that I have seen along with "L'altra faccia dell'amore," the one about Tchaikovsky made by Milos Forman, and "Wittgenstein" by Jarman. And "Inland Empire" is an immense masterpiece that only the occasional Fantozzi can say is a "cagata pazzesca."