supersoul

You’re very much a soft touch, battlegods. Status Quo have always struck me as those who wanted to play blues but ended up going for the "heavy" sound because the audience demanded it, and that's how they landed their records in the Top Five. A solid band, but I remember a version of Roadhouse Blues that makes you long for even the mere mummy of Jim's voice.

@yes Slim, Germany, Sweden, and Denmark, but I needed the epic of the Isle of Wight (also praised by the Dik Dik, hehehe) to really lay it on thick for the poor fool, who, let's be clear, was "understandable" as long as it was a fake trying to be annoying, but once he enters the field responding with justifications that even an idiot like Ramazzotti wouldn't use, he truly comes off as the poor fool. Anyway, as Gassman/Brancaleone says before beating up Volontè/Teofilatto: we love and forgive...

@bjorky...but how?!? You flee in protest from the blasphemous comments of the one who says that Van der Graaf can't play, and then you go and get entangled with this guy? Around here, we say that washing the head of a donkey wastes time and soap...

black dog that makes me read, may the Diamond Dogs eat you... put on Outside and not the Orwellian Diamond Dogs with all those fucking talented musician lords and only Sweet Thing blooming into Rebel Rebel that’s worth the ticket price?... damn.

At two in the morning on Monday, August 31, Jimi took the stage on the Isle of Wight in front of a vast audience alongside Mitch Mitchell and Billy Cox. He was wearing his flamboyant, colorful costume that made him look like a bird of paradise. He introduced a lot of new tracks despite the crowd wanting the old ones, and towards the end of the concert, Mitchell gave a four-count on the drums, leading into the introduction of "In From the Storm," and six minutes of terrifying guitar maelstrom left the audience in awe. At the end, a gloomy Hendrix murmured something like he would have liked to come back and then dropped the Fender to the ground, walking away. Three weeks later in London, he died swollen with alcohol and barbiturates. That crowd of people in sleeping bags due to the night’s humidity was the last to see him perform live. Today, thanks to a poor fool named granpaul, it's as if we saw him play too. Amen.

ok sorry I missed it, these idiots who want to ridicule Hendrix drive me crazy...

Anyway, it's the first guitar riff in "Get Me" that, according to my earpiece, gives the impression of "Ziggy Stardust" and not "Drawerings". And then "Start Choppin" is wonderfully raw. A great commercial album (in the best sense of the term) by Dinosaur Jr (i.e., J. Mascis).

Well, I remember another version of the Barlow issue, told by Mascis himself. Basically, Barlow couldn't stand the stress that a big record label brought, and J Mascis found him stupid after having worked part-time to support himself, while now he could be a full-time professional...

In my humble opinion, instead of "Free for All," I would recommend "Like Someone in Love," which I never tire of listening to, featuring an even younger Shorter and a great Lee Morgan instead of the impetuous Freddie Hubbard.

don't comment on it!!!! To you rootrampler, tonight I recommend sleeping with iron underwear...