supersoul

..the fake assassination of Lord X by Nestore in "Irma la dolce". Unless he was referring to Wilder's "black" comedies like "Sunset Boulevard".

Hey, happy New Year everyone, I just woke up. Odra, these are worth a break for musical cravings. Anyone listening to that great track between Doors and Sabbath, "Red Sun," with an intro and outro taken from "Third stone from the sun" by Hendrix, will stop by this review to thank me or to send me to...! Sure!

Honestly, I stopped at the first paragraph; the Eagles, once Joe Walsh joined, could perhaps be defined as the best easy listening band of all time. For my ears, the best country rock band remains the Flying Burrito Brothers of Parsons and Hillmann.

Even the best Pallhuber wouldn’t have delivered a performance like this in terms of timing and shooting precision. To be taken as an example of a "model," but if the reviews on debaser were to approach this standard, maybe we wouldn’t have the healthy four laughs with the nonsense anymore... eheheh

The album is the confirmation that, as Master Zappa used to say, "we're only in it for the money," but I would like to speak up for Rivoli, who may be debatable in terms of taste and self-importance as much as you want—and I debate him quite a bit—but damn it, he is one of those who reviews albums and films that he knows and that feel lived-in, while others listen to an album from twenty years ago just today, December 29, and tomorrow they already feel ready to write a review, without having even internalized a single track.

I'm glad that everyone liked it a bit, an exceptional character who blends soul with psychedelia. I wonder if Fatboy (!) Slim was inspired by him for those big black hairstyles in the Rockafeller Skank video...

@poletti, it wasn't cinema that was born in the sixties, it was me. I'm the one who sneaked into the theater pretending to be 18 in 1976 to see De Niro say to the mirror, "You talkin' to me? You talkin' to me? You talkin' to me!!", who was left awestruck by the greatness of Michael Caine and Sean Connery in "The Man Who Would Be King," staying in the theater to watch it twice in a row, who dreamed of becoming a hobo like Lee Marvin and Keith Carradine in "Emperor of the North," or who began to understand what it means to be a magnificent loser like Segal and Elliot Gould in Altman's "California Split," or the disillusionment of Ganz and Dennis Hopper in "The American Friend." This is the cinema I experienced in theaters that shaped me, not "Gone with the Wind" seen on the home appliance screen, and it's what I can tell best, based on my feelings and sensitivity and not through research in Mereghetti and Morandini's books searching for their approval before giving a rating. And as long as Debaser users show they appreciate it, as seems to happen in the music section as well, I will ENJOY posting reviews; when the ones and the boos start to pour in, I will know to retreat gracefully because the doctor didn’t prescribe me to write reviews, and unlike you, I don’t want to annoy people with nonsense.

Oh right... I know my chickens... Anyway, just listen to "All the love" on this Ulver album to hear a lot of poorly digested Sylvian, including the fake trumpet by Mark Isham. Hey reverse: between Cube and Deca there's no contest, the former is better. Also take a look at Felt, they're not bad in that target. But if you're not racing and doing quite a bit of off-road, consider a full suspension, it's more fun.

WELL DONE POLETTI: your post 47 just needs the ending: ...and Battleship Potemkin is a ridiculously stupid movie!!! and thus your career as a cinephile concludes in glory!

@azzo, he's made two blunders here: one for indirectly confessing that he doesn't think for himself and therefore posts only by quoting cinema books, and the other because he says the protagonist is Sterling Hayden. I must have seen that film for the first time when I was ten, and the protagonist (who steals the show) has always seemed to me to be Crawford, even now that I'm an adult.