supersoul

@psycho was the Stable, with the third they switched to Translantic, which until then had been a folk label that was opening up to psychedelia during that period. For me, the deviants are those of Ptooff and in this one, Farren is almost not present. Of the other three reviews of the Deviants on debaser, two won't open for me, who knows why.

purpulan, you’re right, that’s the signature style of the early Deviants, and Dr. Crow is Farren’s last album from 2003 with a new lineup, where he goes wild barking like a dog over the beautiful lead guitar that has always characterized the "deviant" works. This man hasn’t changed a bit over the years, a wild anarchic madman. The Cynar (ahem...the methedrine) keeps him from the wear and tear of modern life.

Dear mine, in post 41 you seem to demonstrate that you haven’t understood a damn thing of what I wanted to say. This is not about exporting democracy; if people are building houses on Vesuvius, if landfills are within the same Vesuvius park, if decent people have been dispossessed of their very social life at the neighborhood bar, leaving it to criminals, but if the same decent people talk about legality and then park their cars in the second row and tell you to fuck off when you point out that you had the right of way at the intersection, if they happily let their dog urinate on the fixture of your (open) store, if decent people still have no more than one or at most two children, and criminals (those by profession) have five, seven, or nine, so much so that they are already grandparents at thirty... it’s not a matter of democracy to be exported with the army. I am deeply pessimistic; this society is IRRECOVERABLE. With this, I don’t expect you all to think the same way; in fact, I’m glad you believe in a feasible solution, just like Fermariello (now a senator) in Rosi’s film. I’d like to ask Fermariello today, then a radical communist deputy, when being communist truly meant something, to tell me if that speech of hope in that film still holds value or if after 45 years we can consider it like the legend of Liberty Valance in Ford’s films.

But what does the army have to do with it, and why is Pasolini always dragged into the conversation when he doesn't have anything to do with the problems of Naples? Just think of a director from our city, Francesco Rosi, who in 1963 made the extraordinary "Hands Over the City." It dealt with real estate speculation by the Neapolitan bourgeoisie carried out through political corruption. At the end of the film, the left-wing councilor Carlo Fermariello addresses the developer, elected by the people who were bought with free pasta packages, telling him that it wouldn't always be like this, that people would wake up. And Rosi closes the film with developer Nottola, who, completely unfazed, inaugurates the new neighborhood in the presence of political and religious authorities who bless it. Essentially, the director, already forty-five years ago, was saying that this society is INCURABLE when it comes to the values of justice, legality, and morality.

freeserve all in one and without the dot after uk

@oleinar if you like the early Zappa then you'll also like the Deviants, anyway damn it's true that the record with the nun licking the popsicle (Deviants III) is the most musical, but I'm fond of this one where they take themselves much less seriously. Because in the third one they called from the USA Paul Rudolph (known as Black George because he showed up with a suitcase containing two guitars and only two black t-shirts...) who was a serious guitarist and kicked out Farren who had never really taken music seriously. Anyway, Farren despite tons of drugs has become a successful writer in the USA and I recommend his story of the Deviants at link rotto These survivors (despite everything and everyone) are for me the true heroes of rock, not those who hang themselves after watching "Stroszek" or blow their brains out because overwhelmed by success. No damn I didn't know that story and I don't think those hypotheses are the right ones either.

but didn't the nice brother Ramone review it, I don't know if it's the 14-year-old or the 10-year-old, just a couple of weeks ago?

@azzo, no Bow Bow Bow which had a female singer, here the coordinates are: English band, male singer but very young in voice, tribal dance rhythm from Hacienda yet gloomy like an apocalypse with various percussions and endless echoes, perhaps just this very long mix, around '82. I know these are poor details but I'm giving it a shot. The track was heavily broadcasted, I recorded it myself from the radio but that cassette must have melted away like Dracula in the sun.

Poletti, you need to make a decision; otherwise, on this site, you will always look like the fool that at least 90% of users have associated you with. Because if the number of fans is the prerequisite for a film not being garbage, then neither is "L'allenatore nel pallone" garbage. I can't understand why a billion people around the world who are fans of The Simpsons is a sign of salvation from stupidity, while twenty million fans of Banfi's films in Italy is not.

In my opinion, the review is perfectly balanced; it’s true that Brooks’ higher-level work has deflated. His masterpiece for movie parodies is High Anxiety, where he mocks Hitchcock with enthusiasm and always at a high-class level, which doesn’t happen in this film that already foreshadows his subsequent collaboration with Ezio Greggio...