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I go crazy when hard rock is always and only associated with Led Zeppelin, when in the years 69-70 there were a ton of bands (among my favorites Zior/Monument) that were exploring those shores. Psycho says they are too derivative of Plant & co., but I wonder how a record released just a few months after the first Led Zeppelin can already be derivative of them. Perhaps the story goes back further...
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In light of the rightful clarifications by psycho, I disown my post no. 16, therefore Gibson's violence is funnier than Tarantino's...
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Well S4doll, if the result of the experts fiddling around on Google is based on the band of 16-year-olds infesting Debaser with their random reviews and dogshit comments, then long live the telematic ignorants like you define Melissa, who at least listens to the albums and knows how to judge them.
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But you know why I'm doubtful? The movie is quite slow and lacks action, very introspective on personal drama; a fourth-rate American director like this Stalkow would have sped it up to cater to US tastes. The style seems much more existentially "European" than American.
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The best joke Dylan ever made was when, at the end of one of his concerts during the time of "Born to Run," they told him that Bruce would come to greet him in the dressing room. Bob, somewhat jokingly and somewhat sourly envious of the Boss's interplanetary success, asked his bassist at the time, Rob Stoner, "But who is this Springfield?"
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NICK!
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SFACCIMMO
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IN THE AVERAGE
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THE REVIEW
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REPORT