supersoul

I absolutely disagree about the lack of producers of lineage; in the first and excellent album, the Pretenders had Nick Lowe as producer, and for that type of music, they couldn't have hoped for better. The first is a great record with gems like "Stop your sobbing," taken from the Kinks' repertoire of the '60s. I can't stomach one of their collections because, for me, they stop at the first self-titled album and the subsequent mini LP "Extended play."

You can see rivulets, already in March you win the award for the best comeback of the year. Seen multiple times on private TV when it was entertainment and not today's mass-produced crap. A completely delirious comic strip, inconceivable in the current satirical mediocrity. I remember a wonderfully ambiguous Noiret, but wasn't Yves Montand there too?

Indeed, defining Loop shoegaze is not confusion but rather not understanding anything at all.

Listen, you ridiculous person, the last one who can talk about arrogance is you, who came to post a comment on my review (Ramones: Adios Amigos) just to express your joy over the fall of the Prodi government. Anyway, I would like to apologize for my attacks on your username because I thought you were one of those pompous fascist bullies I battled until 1993, dishing it out and taking it before realizing it had all become nonsense. Instead, you’re just a poor, foolish kid (or as is trendy to say here: un babbo di minchia) who thinks Prodi is a communist and definitely has some serious mental issues in real life (as well as in this virtual one). Having understood this, I promise that out of Christian charity, I won’t contest your username anymore, but do me a favor and don’t let me see it in my reviews.

Great album, long live hard progressive and not the operetta-style progressive like Genesis. Someone should give a chance to Bachdenkel, Clear Blue Sky, or Bulldog Breed!!! I remember that the drummer from T2 ended up playing drums for the psychedelic Sun Dial on one of their albums in 2000-something, Zen for Sale!

Hey man, good to see you again. With the eclipse of worthy debaserians like Lewis Tollani and Odradek, I thought you had also declined the "praise of escape." Come on, you are a new wave goldmine, where I limp. As for the records, the CDs are all mine and there are more than 700, the vinyls are partly mine and partly inherited from a cousin who is four years older, but what I cherish most are a ton of cassette tapes recorded with my TEAC three-head machine since 1987, copying the entire vinyl collection of another cousin who then moved to Sardinia (taking them with him in a truck, the bastard), and they are truly a delight of hard rock and progressive from 1969-73. Recently, I've revisited the one featuring Armando Piazza, a Neapolitan psychedelic singer-songwriter who released two now-untraceable albums in 1972: Suan and Naus, with the collaboration of the great Shawn Phillips and Toni Esposito. Simple yet simply spine-tingling. I hope to give you some news about it soon.

Alright, he can take whatever he wants, but already "Jazz from Hell" is from a prozelite Zappa-wise perspective, it's not something you can recommend to someone asking for advice on what to listen to first, let alone "Guitar" or "Ship arriving..."

@opel in my opinion, those who want to dive into Zappa's music would do well to turn to the numerous concert recordings, such as the excellent double CD "Buffalo" released in 2006, which compiles concerts from '80 with a "rock" band, or for the more orchestral Zappa, the magnificent double CD "Make a jazz noise here" from '88 with horns galore. It's money well spent, and you will NEVER regret it, even if you are forced to eat berries and sprouts to make it to the end of the month.

Guys, don't be fooled by the flashy cover because this is really a great album. "Yesterday's Trip" is beautiful and the guitar-sitar in "Delphy Blue's" is exceptional, although it's hindered by a flat production. @OleEinar... weren't you dealing with a Doctor Strange? Anyway, take your time, as I'm moving into French and German prog territory, and there's some good stuff out there.

@templare: not even a note resonates, you can find Jobson in Zappa's concerts in 1976 and in some albums including "Zappa in NY" and "Studio Tan."