supersoul

No, Malley should explain to me what the false semi-steps of the beginnings consist of, since the first 4 albums of Mink de Ville (I quote from memory: Cabretta, Return to Magenta, Le Chat Bleu, Coup de Grace) are all 5-star. Willy's career then settled on a level far beyond a respectable routine, while live he is simply outstanding for almost three hours of concert, as I was able to see for myself just a year ago right in front of the stage at the Liri Blues Festival.

@vellutogrigio more than the parallel with Straw Dogs, where the violence is not so much psychological but explicit in the reaction of the timid bourgeois, I believe the root can be found in "Desperate Hours" by William Wyler in the '50s.

Early Petty had something to say up until Hard Promises, but I find this one the least brilliant; a couple of songs are saved, including the wonderful "You're gonna get it." However, being sandwiched between the first album and "Damn the torpedos," it fades quite a bit.

Well, nihilism is not just a prerogative of hardcore; you can find it in every musical genre, including the dark ambient reviewed by memento mori... As for GG Allin, he wasn't a nihilist, just completely out of his mind, period. This album by the Cows is among their most mediocre work; I have too much respect for the trumpets at the beginning of Cunning Stunts.

No psycho, that's not it, Ultravixens is more recent, from 1980 I believe, and it features the supertastic Kitten Natividad. As for Psych-Out, it's exactly the one with the hippie funeral with the Seeds.

these are among those who light a candle to the Iguana in the evening. The first is even more crude and brutish (with a lethal bass/drum rhythm), this one is more varied and if it can be said... "crafted." But it seems to me that they weren't from Detroit but from Broccolino, right? for me 3.5.

It’s true that it’s worth rediscovering; there are at least a couple of tracks that, as Dr. Fottermeier confirms, can be listened to until nausea (if that ever happens)... Speaking of the Strawbwerry, I still have the VHS of Russ Meyer’s film (“that pig”) "Beyond the Valley of the Dolls" with their soundtrack; they also participated in that mess called "Psych-Out" with Jack Nicholson. @blackdog, wherever you are, the reviews always end up in foul language, and sorry but I think you’re the last one who can give lessons on pathos, after that story about the user David Bowie who gave you 5 stars in reviews praising you, and who then clumsily turned out to be your “brother.” It’s stuff that’s already been said once: it’s like overshadowing the parodies of South American telenovelas that Olcese & Margiotta did with "Chiquito e Paquito." Let’s try to talk about music and not throw insults left and right; we just got rid of Poletti who had lost it...

...or some of the early albums by the Friends of Dean Martinez, a project by the duo Convertino/Burns (from Giant Sand/Naked Prey))

Are there any songs in the soundtrack of "No Country for Old Men"? Wow, I thought that beyond a few Mexican songs played on the radio during the scenes in that film, there was no soundtrack... see how much you learn on Debaser... at a desert level, I recommend the album by The Henrys "Desert Cure," there's a track with Mary Margaret O'Hara on vocals (The Goddess Maya) that gives you chills.

5 to the written word (which few, I fear, will understand) but I stay away from the big Swede.