Anatas

uhmmmm.... don't you think you've wandered a bit far from what used to be simple comments on a review (an excellent review of a terrible movie featuring an even worse actor)? As far as I'm concerned, Il_Paolo wrote a perfect review, striking poisoned blows even to the one who played the part. And come on, let's avoid being moralistic pricks. Totò will remain in history because he is immortal (you mentioned "little films" like Totò against Maciste, but if we think about must-sees like Totò, Peppino and the Malafemmina, Miseria e Nobiltà, I Tartassati, La legge è Legge, Totò, Peppino and the outlaws, Totòtruffa 62, I due Colonnelli, I Due Marescialli, Signori si nasce...... and I could go on forever..... these films will never disappear!). And, anyway, I apologize but it’s true that Vanzina's films create me an agitation equal to that of an ulcerous and spastic rectocolitis, but who among you doesn’t enjoy rewatching "Fracchia la Belva Umana," which, despite being trash, gets a lot of laughs? “.... I'm not a gay, my name isn't frì frì, I'm the commissioner and I’ll kick your ass!!!!”

Hmmmm... it doesn't seem to me that Poletti went after the reviewer who, in my humble opinion, wrote an excellent review of a terrible film acted by an even worse actor/singer/moralist of this crap. And then, I'm not really convinced that the French surpassed us. I believe, rather, that they are at our pitiful levels.

Why the hell did he slap the comment on me twice?
P.S.: Celentano, go die killed.

I completely agree with M.Poletti. You haven't missed a single comma. From today on, I will make you my personal idol.

I completely agree with M.Poletti. You haven't missed a single comma. From today on, I will make you my personal idol.

I believe I was 11 years old when I saw this film. And I was moved. Now I'm 27, and it's a shame that it's broadcasted very little or not at all because, every time I watch it, it still manages to move me.
The soundtrack is beautiful.

The album is one of my favorites. The review is too wordy and, in any case, I don’t agree with all the points. First of all, the fact that the DT are considered "geniuses." Simply put, here they did what they should have done a long time ago: metalheads. And when they embrace being metalheads, they release some great albums. LaBrie, on the other hand, often seems to emulate, quite a bit, James Hetfield (especially in As I Am); some riffs have been "stolen" from Metallica (Onor Thy Father, which recycles Of Wolf And Man, and the second track that, in one of its infinite time changes, rips off the riff from Blackened). Lastly, Petrucci: here he seems not very inspired, and the production, too "rough," doesn't do justice to some somewhat repetitive solos.
But these things do not make TOT a bad album. I adore it, and As I Am, Onor Thy Father, and the last track are masterpieces of high caliber.

Oh right… now that it comes to mind, I listened to "Tomorrowland" by this band, which was lent to me by a friend. Threw up quite a bit. I turn to you, oh Ihsahn: is this album like Tomorrowland? Or is it worse? Enlighten my wallet, thanx!

I can’t understand the reason for wanting to vote without having listened to an album. I’m a bit skeptical myself, but in this case, the real question is: if you liked the album so much, why didn’t you slap on the stars???

I like this review because it is very thorough and detailed.