MuffinMan Banned

crazy bullshit, I completely agree elected

Great Cronenberg, who with limited resources and a small budget crafted a really beautiful film, thanks to his ideas (excellent editing); instead of the crap with super effects and nothing (or clichés) to say (see Spielberg).

Both "A Man Called Horse" and "Soldier Blue" are beautiful, but I wouldn't consider either of them masterpieces. The best for me remains "Little Big Man," but "Dances with Wolves," despite some flaws, is still a great film that holds its own against these others. And who cares if it came after the others? It's not a good film just because it gives dignity to the Indians!

A colossal bullshit beyond all limits, this is really a colossal bullshit. Shitty sounds, crappy interplay, themes from my balls, idiotic musicians. Crap.

Sure, you look but you don't understand and you don't reason why you don't understand.

you really make me laugh with your statements: "A colossal bullshit beyond all limits, and that's the only 'genre' of film I usually like" THOSE BEAUTIFUL ONES, WHAT ARE THEY FOR YOU? "But this is just a colossal bullshit" AND HERE ARE THE MOST ABSURD REASONS: "Shitty dialogues" EXAMPLE PLEASE? "Shitty photography" YOU DON'T EVEN KNOW WHAT A GOOD OR BAD PHOTOGRAPHY IS. "Plot of my balls" WHY WHAT? "Idiotic actors" WHAT DOES IT MEAN?

Great film... not a masterpiece but excellent, Costner surprises as director, the movie is intriguing and passionate. The review is excellent as well.

Maybe I didn't explain myself well, I meant a "distorted" vision... of course I can do it, thanks for the suggestion.

I don't believe it.

Zorn? No, I know very little about him (given his endless discography)... Saying that Cage is the only innovator of the '900 would be an overstatement; at most, he is relevant in conceptual music (which I personally don't appreciate much, but that's just my taste), which is just one of many currents. It seems to me that you know little about Zappa and don't grasp the magnitude of his music; calling it pop seems reductive. It's true that he drew from all music, but precisely because it was his intention, he decisively modified it. That's a fact, but it doesn't stop there. He invented psychedelia before anyone else, art rock, crossover, the concept of electronics, jazz-rock, and the use of unusual rhythms before others. Above all, he has a unique and unclassifiable style flavored with a sense of humor that clearly doesn't interest you or doesn't resonate with you.