trickykid

Guys, so CANNOLI for everyone…

There is an " and those" too many in my previous post.

MUFFINMAN, you’re right, 10 euros isn’t that much. Just so you know, I’m among those who still buy records. I was complaining about the fact that under 10 euros you can hardly find anything, and those at the price of a DECA (and not always) are only a few titles. For others, you have to shell out unreasonable amounts, considering that - in this as in other cases - we’re talking about records from 50 years ago, for which it’s reasonable to expect a lower price. So, some records I still buy for 10 euros, but I won’t shell out 25 euros for a record anymore. 10-12 euros should be the price for NEW records, the catalog should cost half!

Well, if you object, you implicitly give me reason, since it is obvious that the image you evoked of cannoli in the throat (or, it's the same, the one I proposed which I won't repeat) is certainly not refined and brings to mind scenes from adult films. It was not my intention to insult you, but merely to respond to your previous post where you denied the obviousness of an unfortunate phrase, the meaning of which is not so hidden or that I’m the only one who sees it, as you claimed. Furthermore, if you objected to a cannolo in the backside, will you grant the same right to Consoli, to whom you put the typical Sicilian sweet in the throat, and to us who read about such trifles ?!?

MIEN_MO_MAN, my unforgivable mistake in referencing the supreme film: obviously "daunbailò"... of WAITS, unmissable the performance in AMERICA OGGI by Altman and in the films of COPPOLA RUSTY the WILD and COTTON CLUB.

I also have a nice vocabulary: nice and big, it gives a sense of security with a hard and colorful cover.
About the cannoli, you’re probably right, so if I leave them up your ass, you won’t object.

RAINDOGS is a must-have, no ifs or buts. Along with the subsequent FRANK'S WILD YEARS and SWORDFISHTROMBONES, it’s essential if you love WAITS. P.S. these albums are all from the 80s, in the face of those who say the 80s were musically terrible...

MIEN_MO_MAN Waits and Benigni are friends, so the cameo in the not-so-great Oscar-winning Italian film was a must... but why don't you check out DOWN BY LAW? There, TOM and ROBERTO will have you rolling on the floor laughing... I SCREAM, YOU SCREAM, WE SCREAM, FOR ICECREAM!!!

WAITS is a guarantee brand, but this is a masterpiece, the start of a new way of making songs.

This sentence is worthy of a Nobel Prize: "I don't know what the voice of Carmen Consoli conveys, a lucid mix of Sicilian cannoli and Devoto-Oli consumed." Aside from the obvious, underlying pornography of having cannoli stuffed down one's throat, the lyrics of the Cantantessa – which are very overrated by critics in the service of major labels and professional screamers, creators of myths, those, indeed, made of plastic – have some originality but share nothing with grandeur, literary exploration, poetry, etc. Rather, it is the author who most frequently uses adverbs of manner. But this is typical of spoken Catanese. Let's leave the great Devoto-Oli in the hands of those who have the eyes to read it and the hands to leaf through it. P.S. What should we then say about the lyrics of, I don't know, De Andrè, Battiato, or Conte (just to name three among many)? Therefore, I revise my rating of the review, which truly deserves a 2. Having already given it a 3 in my previous post, here's a nice 1...