manliuzzo

Who called me POletti? Give me a rope so I can hang myself!!!!!!!

In my opinion, to create those things, even with sampling and various stuff, you need to know about music. In fact, I dislike house because it's clear that those who make it don't understand anything about music. Here, the sampling is done with class. The kind of attitude: who cares if it's not real music? I like it!

Who called me POletti? Give me a rope so I can hang myself!!!!!!!

I believe I made a mistake: in Mysterons, it is not the voice that creates the spatial sound but the theremin. Sorry.

Ghemison, do you like '70s music? If so, then I’m afraid you’ll like Dummy much more than blue lines. You know, I also find that I come across an album I like more than another, and I get upset because I'm attached to it. One example: woe to anyone who touched Darwin! by Banco, which today would be below a whopping 8 albums in my ranking. Here it is: Jethro Tull: Thick as a brick
Portishead: Dummy
Alan Sorrenti: Aria
Banco del Mutuo Soccorso: Io sono nato libero
Genesis: Selling England by the pound
King Crimson: Red
Emerson, Lake & Palmer: Emerson, Lake & Palmer
PFM: Storia di un minuto
Banco del Mutuo Soccorso: Darwin!
Jeff Buckley: Grace
King Crimson: In the Court of the Crimson King
Thanks, Stipe, I don’t know why I doubt you would have liked it. Ciauuuz!

trickykid, in my opinion, the beauty lies precisely in this: creating, through machines and sampling, a new music that draws inspiration from everywhere but becomes something never seen before. I don't entirely agree with the illiteracy you mention: I believe that to create that music one must be musically skilled, because it's not true that machines do everything on their own. Moreover, for this album, they used 1970s instruments, those of my beloved progressive era, namely the Moog synthesizer and Hammond, in addition to the guitar. But the most technical yet expressive element is Beth Gibbons' voice, which I believe is the best female voice of all. I’ll tell you that after listening to this album, I downloaded the complete discography of Portishead: Dummy, Portishead, Roseland live, two remix albums and some bonus remixes, and the quality is medium-high. Fantastic, it's the music that resonates with me.

DOH!DOH!DOH!DOH!DOH!DOH!DOH!DOH!DOH !DOH!DOH!DOH!DOH!DOH!DOH!DOH!DOH!DO H!DOH!DOH!DOH!DOH!DOH!DOH!

Review from a billion points.

PROGRESSIVE? AHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA HAHAH!

You're right, Targetski, it's from 1994. I was wrong. I thank everyone who commented, especially the anonymous ones who have been the most generous here!