Longliverock

DeRank : 0,05
DeAge™ : 6992 days • Here since 18 april 2007
The Velvet Underground White Light/White Heat
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On the record, there's nothing else to add except for a 5 that’s actually more like a 5.5. The review is well-written and passionate, but at times it feels a bit exaggerated: 3.5.
Luciano De Crescenzo Così Parlò Bellavista
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This is among the most beautiful pages of Deb, and this review is the most touching of all.
Korn Korn
Korn Korn
28 apr 08
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PS: My intention was just to clarify, mainly based on numbers to provide important reference points in an endless discussion, but I reiterate, far from me wanting to get involved in this mess, which has already exhausted me just to write about.
Korn Korn
Korn Korn
28 apr 08
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...they sold quite a few copies. Metal didn't emerge as a genre played to NOT sell, and only later, in the '90s, did it experience commercialization (and degradation); Metal in the '80s wasn't degraded like it is today, but even in its infancy, it sold a lot. Metal has NEVER been "niche," not even when it was new. Rather, today it has faced total degradation, driven by horrendous bands that would make even Madonna look good, (and they are usually the most commercial ones), but there are, as SuperVai reminded us, plenty of unknown bands that are quite valid. Of course, as Larrock and Lux pointed out, VALID does not mean ORIGINAL and/or INNOVATIVE; indeed, Metal, despite a myriad of genres, sub-genres, sub-sub-genres, and endless nuances, is one of the LEAST DIVERSIFIED and most "CRYSTALLIZED" genres (at least compared to the vast number of branches it has), which is the crux of the matter, and it’s Ashanti’s comment.
Korn Korn
Korn Korn
28 apr 08
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Ashanti's comment was something I was about to write myself. Anyway, I don't want to interfere because I’m the type who gets bored easily, and just reading through everything has already made me lose interest: this page is the worst I’ve ever read on Debaser. However, regarding the statement "Metal STARTED as a niche genre and only later (in the '90s, from what you said) became popular," I’d like to clarify: Metal in the '80s was by no means disreputable, but it’s NOT TRUE that it was a niche genre meant not to sell. Judas Priest sold between 15 to 20 million copies from "Sad Wings of Destiny" to "Ram It Down" (by the way, "Turbo" and "Ram It Down" are their worst albums and among those that sold the least: if I'm not mistaken, the best-selling is "Painkiller," 1990). To date, Judas Priest has sold over 47 million copies; Iron Maiden: their first two albums didn’t sell much, but "Number of the Beast" (which is from '82, let’s remember) sold well over a million copies globally soon after its release. The albums up to "Seventh Son of a Seventh Son" all sold well, averaging over 2 million copies per album. By ’96, Maiden had already sold 50 million copies ("The Best of the Beast" was released to celebrate this milestone); today, they are close to 70 million (their best-selling album is "Dance of Death" from 2003). Megadeth has sold 23 million copies to date; "Peace Sells..." sold well over a million copies right after its release (we're talking '86) and "Rust in Peace" ('90) did the same. Metallica has sold 95 million copies to date, over 30 million of which are just from the Black Album. But even after "Master of Puppets," Metallica had already sold a lot (for a Thrash Metal band), in fact, by '87 they were counting around 20 to 25 million copies sold. In fact, Thrash Metal bands in the second half of the '80s (well away from the "glories" of NU/Power/Death/Black/Gothic) had a significant market in the USA (which alone represents 1/4 of the entire GLOBAL record market), while NWOBHM groups from '81 to '88 sold from several hundred thousand albums (the least fortunate bands: but as you can understand, these are certainly not insignificant numbers) to a few million copies per album (Maiden and Priest). Of course, it's OBVIOUS that the dominant market, especially today, is Pop. For example, for a Roadrunner band, selling 400,000 copies worldwide upon debut is a good success; for some "over-hyped" Pop "artist" signed by Universal who has access to a Timbaland or a Max Martin (the latter is the producer who has sold the most worldwide, 600 MILLION copies, if I'm not mistaken, he's the richest man in Europe), thinking of selling 400,000 copies is unacceptable; it would be a monstrous FLOP, sales expectations are no less than 2 million records worldwide. This is obviously an example of how the record market works. But that doesn't change the fact that a few hundred to a few million copies sold per album is a lot, in fact, it's definitely TOO MUCH for groups belonging to a genre that STARTED as niche. As explained before, Metal groups were already selling well in the '80s, when Metal had just emerged. Finally, one last note: the vast majority of NWOBHM groups from the early '80s, riding the wave of the new genre, sold quite a bit, as I've already mentioned; but in the '90s to today, HOW MANY OF THOSE GROUPS ARE STILL AROUND? How many of those groups that were alongside Iron Maiden in the '80s sell nothing anymore or have disappeared without anyone caring?.. In fact, how many NWOBHM groups that sold well in the '80s are still selling a lot and riding the wave today? I’ll tell you: ONLY IRON MAIDEN AND JUDAS PRIEST. The vast majority of those groups sound outdated today, extremely "‘80s," and haven't stood the test of time; but when they first emerged, they sold their million copies (at minimum) for sure! Today, Metal has become quite disreputable in many of its sub-genres, with some unpresentable groups that would make Madonna look good
Madonna Hard Candy
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I've already said everything about her in previous pages. But rather, I wonder: this woman has a daughter who is now 13-14 years old. When she goes to school and hears one of her friends say, "Madò, your mom on the cover of the new album really gets me excited!" (a euphemism: 14-year-olds say it in a much more vulgar way than that), what does this poor girl think?? How can she live peacefully? A mother who, at 50 years old, shows her butt and breasts in videos that everyone watches, plays the super-disturbing woman who disrupts the (erotic) dreams of boys, even those of her daughter's age. That poor girl, I can already see her in 10 years being super-complexed, anorexic, drug-dependent, and full of psychological problems and traumas...
Tim Burton Sleepy Hollow
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Saw it just the other day. Around here, there might soon be a Johnny Depp fan club opening up. :-) I really like him as an actor...
Roberto Benigni Johnny Stecchino
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*Fire prevention.
Roberto Benigni Johnny Stecchino
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"I deeply hate the University and university students; it's just a good way to postpone unemployment and be comfortably supported by mommy and daddy. It’s a way to never leave the house, hang out with friends, and act cool with daddy's car to feel more attractive, only to turn 30 and blame the world for not having achieved anything. You are more out of it than a fire escape. Period. As for Benigni, I prefer 'Il Mostro'."
CapaRezza Le dimensioni del mio Caos
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Caparezza is the less bad. I've never liked his genre, but he’s not a 1, and he’s far ahead of real crap like Mondo Marcio and Fabri Fibra. He writes really remarkable lyrics; there are quotes and phrases that brush against genius, and it seems to me that he is "real," or at least much more real than the various Fibra, Mondo Marcio, and the like. 1 is definitely excessive. I would say a nearly 3 (or 2.8 repeating, to put it in Dr. Adder's terms).