gnoato

So, "Supersoul," I would seriously recommend considering the idea of taking a little trip, the same one Kobain took. Please don’t write nonsense! "Shermanoaks": Moroder was and is a genius and a great innovator and, just like the legendary Kraftwerk, he left an indelible and incredibly important mark on the history of contemporary music, understanding before anyone else that the revolution would go through the synthesizer, not through a guitar (which, by the way, was out of tune, Nirvana style). I never mentioned Donna Summer, I don’t understand what she has to do with the discussion: she was just one of the many creations produced by Moroder, nothing to do with Nirvana (also because she could REALLY sing. I can also moo like Kobain, but she has very few rivals who are better...). Essentially, guys, get used to it: "Nevermind" is a masterpiece of decay, a ridiculous revolution, an album that, like so many others (almost all) related to the "Grunge" phenomenon, deserves to disappear. Because music is the art of sounds, not the art of noise.

How disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting, how disgusting this disgusting record is!!!!!!! And after (you who inexplicably love this record) just dare to make the usual little speech about "music in decline" and I will smash this excrement on your heads thirty-three times. Forget James Blunt or Paris Hilton: the end of serious music could already be sensed from this record (and it was only 1991), produced by dogs and played worse. Not to mention the singing: could Cobain actually sing? In my opinion, he only knew how to get angry (most of the time without any real reason, but he liked it, you see...). It was the only thing he was really good at. Then he got too angry...

I'm still stuck with this piece of sh*t! You've written three hundred and fifty-seven reviews on this musically handicapped and horrible abortion. You've really broken the balls even of the saints. If "Nevermind" is revolutionary, then I’m Al Gore. But please...

On the contrary, I believe that the music of the legendary Moroder pairs very well with the pop-dance sounds of the '80s, and that's a compliment. But honestly, I prefer the soundtrack of Flashdance (also by Moroder) rather than this one, although it's dignified and impactful. A review that could be greatly improved. Bye.

Beautiful record. But I have to disagree on one thing: Reggae is not even remotely a genre of Rock!

I believe that the greatest flaw of the Negramaro is that they suck. They belong to that circle of idiots who think they’re in the sixties, offering material of abominable blandness and uselessness, trying to pass themselves off as geniuses when in reality they’re just revolting trash. And there are even those who manage to listen to one of their albums in full! Long live masochism, then.

Poletti, I’ll do it too, if you don’t mind!!!!! How can you review a movie of such magnitude with a tone and presumption like that? Not even the reviewer knows. "Gone with the Wind" is untouchable! And I say this as a die-hard Star Wars fan (so I’m definitely not old-fashioned).

Ah, beautiful people, you all think you're a bunch of damned snobs and criticize my review and the album in question for no reason, throwing excrement all over it. But who are you? "Aaaaaaahhhhhh, I only listen to punk and metal (Led Zeppelin, Beatles, and similar nonsense), that’s real music..." What is this? Are you afraid of pop? Well, know that I will keep throwing it at you, so, so, so much in the days to come. You all make a nasty face when someone presents beautiful and catchy music, simply because it’s pop music, but if by chance your little communist idol and troublemaker (John Lennon) were to rise again, you'd all be there bowing down (but maybe at home you listen to MIKA). Shame on you. You're all just sheep from the same flock, with no shepherd: wherever everyone goes, you go too. You call yourselves nonconformists and then do like everyone else. If I were you, I would have a moment of self-reflection and decide to shovel manure somewhere else (if you really must: maybe you should even try to poop on albums like this). I don’t know what to do with your dissent. Until next time!

Ah, beautiful people, you all think you're a bunch of damned snobs and criticize my review and the album in question for no reason, throwing excrement all over it. But who are you? "Aaaaaaahhhhhh, I only listen to punk and metal (Led Zeppelin, Beatles, and similar nonsense), that’s real music..." What is this? Are you afraid of pop? Well, know that I will keep throwing it at you, so, so, so much in the days to come. You all make a nasty face when someone presents beautiful and catchy music, simply because it’s pop music, but if by chance your little communist idol and troublemaker (John Lennon) were to rise again, you'd all be there bowing down (but maybe at home you listen to MIKA). Shame on you. You're all just sheep from the same flock, with no shepherd: wherever everyone goes, you go too. You call yourselves nonconformists and then do like everyone else. If I were you, I would have a moment of self-reflection and decide to shovel manure somewhere else (if you really must: maybe you should even try to poop on albums like this). I don’t know what to do with your dissent. Until next time!

I didn't want to say appreciate, but prefer.