alessioIRIDE

DeRank : 3,14
DeAge™ : 7069 days • Here since 31 january 2007
Annabel Jankel Rocky Morton D.O.A. - Cadavere In Arrivo
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No... actually: if you want to read it, it's here: memedesimolandia.blogspot.com
Savage Republic Customs
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I missed this one. I put on my love glasses to read it.
Harvey Milk Life... The Best Game In Town
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Kemo is increasingly among my favorites. 5 for you and 3.5 for them... nice album and great guitar, huh!
Lleroy Juice Of Bimbo
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I listen to myself distractedly, then I do another round. I think, actually I know, that the label of the Italian Steve Albini is a bit tight.
Annabel Jankel Rocky Morton D.O.A. - Cadavere In Arrivo
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I believe that the dismissal of the review I sent on the Esodo is also part of the collective health plan, but I think it's an IP address issue. Free, yes, but in my own way... rightly so. A greeting to superanima who is becoming more and more like Rasputin ;)
Micah P. Hinson And The Red Empire Orchestra
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beautiful for the scruffy little wolf pup with poor health ;)
Black Flag Family Man
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It's incredible how every review I read has pretazzo spouting the usual nonsense obviously copied from Scarutti, whom I checked this time. The crap from pretazzo says, "the prelude to the dissolution of Black Flag: you can tell by how the album is structured," and that jerk Scarutti says, "with one side of instrumental tracks by Ginn and the other of spoken monologues by Rollins, it confirmed the ideological schism" ... too bad after the ideological schism they released just three albums in a year and an EP, The Process of Weeding Out, that any band would dream of... but you idiots should just run away. The review sucks too.
Fëdor Michajlovic Dostoevskij L'idiota
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I have many doubts about that "indecipherable style." Just yesterday morning, I started "Crime and Punishment" again, and I must say that coming from "The Castle" by a Céline who is old and disgusted with life, with article 75 up his ass, I was amazed by the fluidity of "Crime and Punishment," which I didn’t remember... and perhaps this is the strength of Dostoevsky: the will and the necessity to allow himself to be penetrated and understood by as many people as possible... he who, as a simple person, not as a writer, was "quite" misunderstood by the entire world. In short, to hell with the esthetes of every time. Ah, Desade, my compliments from my woman for your review of Marie Antoinette.
Fëdor Michajlovic Dostoevskij L'idiota
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if it starts like this, however, there's no getting out alive. there are millions of prefaces and introductions, at least one for each novel... I remember a beautiful one by Pasolini on Crime and Punishment... basically, it will be enough to pick anything to cobble together a review. indeed, those that have made it this far, all but one, are summary snippets of the plot thrown together in four words, left to chance. I understand you; it's difficult to talk about Dostoevsky, perhaps not necessarily difficult, but one doesn't know where to start, and I still tremble when it won't be about The Idiot... but I ask: was it necessary or required? that said: hi desade.
Causa Sui Summer Sessions Vol. I
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Pozzuoli where and when? maybe even how