Hetzer

DeRank : 5,58
DeAge™ : 7087 days • Here since 14 january 2007
Madonna MDNA
Madonna MDNA
22 mar 12
Voto:
Dariuz, I know you know: you write well and there’s no arguing that, even if you often exaggerate with tiresome and kitsch rhetorical devices. However, I don’t understand one thing: from your review, it emerges that Madonna is now an old and useless woman, who built her career on plastic, who only makes records after recruiting the best (and most fashionable) producers available, and who desperately needs to find something to withstand the relentless assault of the new (LediCagà). I mean, after all this, doesn’t it make us wonder if this sellout is just (and has been for decades) a freak show, cashing in and shaping trends?
Radio 24 - Giuseppe Cruciani La Zanzara
Voto:
In the beginning, it was something original and even fun. The formula of mocking the guest of the moment and delivering rapid-fire jabs worked well, while it’s clear that Cruciani is an inconsistent, obtuse, sellout who cannot argue, while Parenzo is a poor idiot as soft as a pudding in the sun. However, I must say there were some excellent moments: I remember with pleasure the epoch-making mockeries of gallows-worthy folks like Santanché and Scilipoti. This is neither information nor in-depth analysis; it has now become a lowbrow cabaret that is distressing and boring.
Spitty Cash Difficoltà Nel Ghetto
Voto:
The funny thing is that this little man does nothing different from what the idiotic poser Italian rappers do. Maybe he just does it worse, but the ingredients of his ridiculous trashiness are all there, in the pathetic genre that some random neurotically impaired person pretends to belong to. Maximum disdain for him and for what he mimics (as if there were any need to mimic the true gangster maddafakka). Review not entertaining at all.
Metal Carter Cosa Avete Fatto A Metal Carter?
Voto:
Yeah, but these people make me laugh so much.. Who do they think they are, this clown? They should all go get a job, what do they think, that they are the only ones who had problems in their youth? Is it possible they don’t realize that they are the ones undermining their own world and their own message, assuming they even have one? Incorrigible clowns, chronic failures, just make us laugh..
Metal Carter Pagliaccio Di Ghiaccio
Voto:
Mamma mia, what a violence.. Funny how the most pitiful, senseless, vulgar, useless, and ridiculous things come out of the sewer of rap.. What wonderful sadness.. Trucebaldazzi, by the way, pisses on these crews of extremely violent lunatics..
David Fincher The Girl With The Dragon Tattoo
Voto:
Of course, I won't waste my time watching it, but I wonder: how the hell are they so short on ideas in Hollywood? Why make a remake of a movie that came out just two years ago and has already been successful?
Ridley Scott Robin Hood
Voto:
Review I share.. I watched this film just to see how far Ridley Scott could distort History.. Well, he did even worse than "Kingdom Of Heaven," which is saying a lot.. Overflowing nonsense and absurdly loud scenes; the French landing with ships maneuvering like they were jet skis is a scene that would have been ridiculous even in 300 or Conan the Barbarian.. The only redeeming aspect is the different interpretation of the character, not the bandit who robs from the poor to give to the rich, but a random fool who reluctantly becomes a hero..
Lana Del Rey Born To Die
Voto:
As strong as your opening is, with the necessary distinctions, it is shareable.. The mainstream '80s sound is ridiculous and aged in no time, while MTV has proven to be a factory of conformity of the worst kind.. The criticism of this artfully crafted character, abundantly funded by generous investments, is also shareable.. Beautiful girl? Not really, frankly the botox and fillers make me nothing short of disgusted..
King Crimson Discipline
Voto:
A review written with feet that doesn't help me at all to interpret this album; on the contrary... I've been trying for quite a while to find the masterpiece here, but I'm having some difficulty. Aside from the fact that the King Crimson of the '80s is light years behind that of the '70s ("Red" is the point of no return in my opinion), of the "new Crimson course" I much prefer Beat, where the style settles and becomes more creative. This album seems more like an extraordinary laboratory, maybe dazzling, but a bit sterile and self-referential... Of course, there are some pieces, like Matte Kudasai and The Sheltering Sky, that are nothing short of superb... I think they'll do better the year after...
King Crimson Discipline
Voto:
Although I don't share the unbridled enthusiasm many have for this album, your analysis is terrible, superficial, hastily put together, and quite pretentious. Just like in the case of your "works" on Jethro Tull, you prove to be a terrible reviewer.