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I'm reading your reviews, dear Charlie Nokia, so I can learn.
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Come on, come on, step up you who don't like the study part of Ummagumma, take a chance, we're catching up.
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I'm replying to Charlie Nokia. You must really be a naive soul who doesn't even realize when someone is making fun of you. To get back to Ummagumma, there's avant-garde and avant-garde; there's that of Stravinsky, Varese, Rachmaninoff, and even Coltrane or Charlie Parker... then there's also that of Nick Mason. I even found a Stockhausen; do you have Stockhausen?
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Strangely, I quite agree with Beck.
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There is avant-garde and avant-garde, there's that of Stravinsky, Varese, Rachmaninov, and also Coltrane or Charlie Parker... then there's also that of Nick Mason. I also found a Stockhausen, do you have Stockhausen? As for the Queen, I prefer Maledetta Primavera to their entire discography.
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Edgar Varese? Who is he? The one Zappa liked? Ligeti sounds like a Hungarian name to me.
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Instead of the Queen who suck, listen to Pink Floyd.
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But you can't do anything but offend? Instead of the crap that Queen makes, listen to Pink Floyd.
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Maybe it’s ugly, poorly written, but useless doesn’t seem appropriate to me. Would you want everyone to drool over anything the Pink Floyd do?
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Another thing I don't like about their discography is the excessive number of compilations, The best, etc... I've counted 8. I have Pulse, but I’ve never listened to it, can you believe it... After reading your review, I'll probably give it a listen, because hearing all of The Dark Side Of The Moon live could be interesting. In any case, I consider the real Pink Floyd to end with The Final Cut, from '83, which isn’t really that great either.
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