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But didn’t he have a brother who also sang, and then nothing more was heard of him?
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I listened to the track you posted, and yes, the influences seem exactly like what you wrote in the review.
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Good job, really well-written review. I know almost nothing about these Data. I listen to them on Spotify whenever I have time.
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I would like to buy this one, is it still available on Amazon or somewhere else? You also put the Crawdaddy songs in the jukebox and I downloaded them; the version of the Velvet song is more than good. I also read what you all said with Lauretta and il Conte. Lauretta is right about Sorge, I used to read rockerilla too, and I bought many things because they were reviewed by that magazine. The Gun Club, for example. If I remember correctly, Scaruffi also wrote for them. In the early days, Sorge wrote for "il mucchio selvaggio," then they dropped "selvaggio" and it became just "il mucchio," which was directed quite dictatorially by Max Stefani, to the point that Caru' left to form "il buscadero," which initially was "ultimo buscadero." I know because I read all three of them. Caru' left il mucchio very polemically; I remember well the insults they hurled at each other from one magazine to another. The review is good like the others, maybe even a little better.
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Really well written. It's late, goodnight...
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I only rate the review.
Sigur Rós Von
14 mar 17
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I think I've understood that this story is what the album conveys to you. Beautiful, but I enjoy different types of reviews. As for Sigur Rós, I'm familiar with the first one: Ágætis byrjun... which is very beautiful.
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Beautiful. :-)
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You know that just the words industrial and noise make me itch, but I know a new kind of water from the album that I like. The review is really well written.
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