Blackdog

Go tell Jenna Jameson.

There are those who love it and others who hate it: interesting, then.

You "deny" being alone, instead: all you have to do is reread some of your bold, sterilized little comments in my testicles... I will investigate your real sexual identity, don’t worry.

"Funny" & gifted, Terry: remember!

Listen, a disculo with "Noise Epic" & "Columbo" deserves 4 stars.. If only it had another 8 "Love Is Noise."

So many memories tie me to this twilight & modernist disc, introverted and controversial... Disco imPerfect, yet at times painful and evocative like few others of its time ("For Martha," "The Tale Of Dusty And Pistolpete," "Once Upon A Time," the dark dawn "Shame," the melodrama "Tear," "17," "Blank Page," the stunning "Annie Dog"). A work that attests to the great songwriting ability of Pelatone.

Useless, a bluff-woman.

Damn, it was about time! But Gustavetto, if this Beck is *** may the God of slackers present in "Mellow Gold" and "Odelay" forgive you... Favorite tracks are the pop-psychedelic Sixties aftertaste in "Orphans" & "Chemtrails," the second part is a bit breathless: I expected more from the Dangerous Topone. Rating 3.5; giving it more would be nonsense. Much better L'Informazione.

@Bartle: Well, you have to grasp the nuances without the opiate filter of technique. In those tracks I nominated, the influence is present (let's say at 39.5°), but if you think differently, good luck. Even the stones know about the devotion towards Iommi & Lemmy from Hetfield and company, but I repeat: the world is beautiful because it's varied. Like claiming that "Kill 'Em All" is a good debut. Of course, the Metallica in '83 didn't cover "Iron Man," for crying out loud; it was just a component of the sound. Anyway, you caught me; I often use Sabbath & Metallica casually to play frisbee with my bobtail King Kerry.. Congrats! Now I'm going to listen to Trouble and then Mountain: in between, however, I’ll throw on Cerrone & Patrick Hernandez. Saludos In Accordo Di Quinta.

But look a bit Bartle, I'm not a Metallic Ultra Fan.. Nor do I take bribes from the little Danish Ulrich. "Kill 'Em All" 25 years ago institutionalized thrash & speed, who gives a fuck. If we then measure the importance with the weighing scale of wickedness siempre et ovunque, well, eternal glory to Araya & company. "Heavy d sabbathiana memory" is nothing but a consequence of the inseminator "proto-metal"; claro, no? But maybe you prefer "proto-medal". Even the beginning of "Whiplash" is marked Iommi, Bartle, if you want to deny it.. And let's not talk about certain doom bass blunders in "Hit The Lights": after all, I repeat, there was someone in the Heavy cauldron from 1976-1983 (from the rhythmic guitar of "Tyrant" to the romanticism-horror of "Remember Tomorrow") not inflated by the Sabbath?! Who knows. In "Phantom Lord" the accelerated specter of Motorhead is undeniable.