Blackdog

DeRank : 4,92
DeAge™ : 7157 days • Here since 9 november 2006
Bruce Springsteen Magic
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"Laziale" it's your sister! :)
Bruce Springsteen Magic
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A good record, a bit nostalgic: 'The Rising' is on another level, and I'll leave 'We Shall Overcome: The Seeger Sessions' aside for "commercial reasons"…
P.S. - 'Human Touch' is a terrifying dud, very little is saved from that '92 release from the guy from Freehold.
Bruce Springsteen Magic
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What a pain this story is that "..those who work for multinationals are artistically screwed.." - I can't stand this easy rhetoric, artists like Brùz don’t have a mortgage to pay for life..
P.S. - And Radiohead or Sparklehorse, what the hell are they doing muzak (I'll limit myself to just 2 examples)?! The 'true' musician doesn’t care about the market, whether on a major or indie label. Of course, it's then a given that Wea or Virgin demand loads of cash from Pausini & various teen-pop acts.
Pier Paolo Pasolini Accattone
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How much I hated certain 'ordinary' and conformist Italian teachers!
Pier Paolo Pasolini Accattone
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It's how nature creates 'azz: didn't you get it?! The third person testifies to 'social' distance from the context of Accattone, the "colloquial you" solidarity and emotional participation in his discomfort. :)
David Silverman The Simpson Movie
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Poletti is right: great film! For 1 hour there’s an avalanche of extraordinary situations and jokes, you laugh without pause. Too bad about the last 20 minutes and the ending being a bit 'stretched out', hurried (or the daily life of Springfield barely in the background, Homer's job absent and Burns reduced almost to a cameo). But these are minor 'flaws' compared to the excellent work done by Groening & co.
Francis Ford Coppola The Godfather (Part I, II, III)
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But how can one review 'prendi3paghi1' Coppola's majestic and tragic 'The Godfather' and give 4 stars to the first one from '72 and 'Part II'; the latter being an absolute masterpiece (and the best 'sequel') in the history of Cinema. I won't even consider the third one, made in '90 just for money and due to the pressures from Paramount: with 'Jack' (which has its own personal 'reason' from the author..) the least successful FFC, pointless. Coppola, in the '70s, the greatest filmmaker (even greater than Kubrick).
Robert Rodriguez Planet Terror
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Well, if the stone of comparison is 'Spy Kids 1-2-3' or the fake decal from Miller (Frank) in 'Sin City'..
Robert Rodriguez Planet Terror
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Poletti, in 'Death Proof' Tarantino does everything you wouldn't expect from a classic 'slasher' movie. He reinterprets, reshuffles the cards: characters, dialogues, a whirlwind excursion into a 'metacinema' that is only his, apart. Therefore, the good Quentin has ideas in spades. And I dare you not to enjoy a dirty 'filmic' pleasure during the extraordinary chase sequence of the three protagonists after Stuntman Mike: a fantastic film, a sharp and original reflection on "genre" Cinema.
Babyshambles Shotter's Nation
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As my prophet LDL said: "Rott'i pall.."