uxo

You are nice.

It seems to me that you know everything about that genre. So I ask you: but the movement of Goldie's piece titled "Mother-Mother," whose original version lasts over an hour, on which CD or compilation can it be found commercially? Ah, good job!

It was the now-defunct ROCK FM, a Tuscan radio station that, on days with favorable winds, could be picked up even in lower Lombardy, that introduced me to them. Truly excellent. Well done, Zion, in this case as well. I like your style and expertise.

Pillar disc of the now extinct d'n'b, which I was passionate about a few years ago. The doctrine was passed on to me by the b-side program with Bertallot (radio deejay), who is also the author of an Italian d'n'b cd that he himself now finds unbearable. However, this cd by Ronny Size remains absolutely exemplary and winning. You did an amazing job.

Very competent. I was thinking of reviewing it myself, a way to listen to it again after a few years and see what effect it has. Well done.

Regarding Zawinul, to be honest, I heard one of his latest works, (a bit forced) "Faces and Places," which didn't excite me. I haven't approached "Brown Street" yet, assuming it's not too compelling, but after your note, the first I've heard truthfully, I'll give it a go. Thank you.

Luigi Viva has also been strict at times (see on imaginary day). He doesn’t seem so biased to me, even though he’s obviously "in love." Rather, tell me what you didn’t like about the review! It strikes me as an incomplete and superficial review. Your criteria aren’t clear to me, that’s all. The Weather Report matrix? Here are some Weather beyond Joe: Jaco Pastorius (1976–82), Miroslav Vitouš (1970–74), Chester Thompson (1976), Airto Moreira (1970–71), Omar Hakim (1983–85), Alex Acuña (1976–77), Eric Gravatt (1971–73), Leon 'Ndugu' Chancler (1975), Alphonso Johnson (1974–75), Dom Um Romão (1971–74), Alphonse Mouzon (1970–71), Greg Errico, Skip Hadden (1974), Alyrio Lima (1975), Michael Walden (1976), Don Alias (1976), Ishmael Wilburn (1974). Before '78, they had already produced the massive "black market," "I Sing the Body Electric," "Mysterious Traveller," "Heavy Weather," "Sweetnighter," "Tale Spinnin'." In short, there’s everything, the innovative electric component is clear. Hence my statement.

I apologize for the vile blasphemy.

a little too much in the last sentence. sorry

it's good that much is missing