Core-a-core

DeRank ™: 1,73

DeAge™ : 7160 days • Here since 1 november 2006

Love Contact

Dan Brown Il Codice Da Vinci

1 jun 10

Voto:

Preferable. Preferably so. Well done.

New Kingdom Paradise Don't Come Cheap

1 jun 10

Voto:

This is a noble way of writing. Congratulations.

Thank you! The 3 I mention are Crashdiet, Reckless Love, and Last Vegas. Anyway, there are no revealed truths. I've found something more than the others in the early albums of these bands here. I'm also worried, in the sense that I didn't like Crashdiet after the first album (even live, they've had a cold appeal lately), Reckless Love are trying to play the part of the coolest and the second step will be crucial. As for Last Vegas, well, they're Americans in the hands of other Americans. I fear them. Let's hope for the best.

The Black Keys Brothers

31 may 10

Voto:

Reading a well-known magazine, there’s, expressed differently, the same concept that you convey. It just doesn’t sound like a big deal to me. You know, not a 5. However, I come back with more awareness.

Crazy Lixx New Religion

31 may 10

Voto:

I think they have learned the lesson from the recent successful outings in this field. I preferred the first one. This feels like a professional performance unleashed, which is, after all, a good thing. It's not to be underestimated but also shouldn't be taken too seriously. Especially since these Scandinavian bands (though not them specifically) don't deliver the potential warmth they express on record when performing live. Anyway, the three groups I consider valid today have been reviewed by me. Beyond those, I only had curiosity that didn't push me to go further. Great review, even though at times I might not fully agree. For this reason, one point less.

Gotthard One Team One Spirit

31 may 10

Voto:

To you the best. To them a little less.

The Electric Light Orchestra ELO 2

31 may 10

Voto:

Another one is needed for the box-and-one tactic.

Sofia Coppola Marie Antoinette

31 may 10

Voto:

In my opinion, it’s not the film that is empty. Everything is designed to convey the emptiness and detachment from popular life during the time of Versailles, filled with effeminate slackers and grandiloquent figures. It borders on perfection. An excellent narrative, viewed with the delicacy (!!!) and customs of today. As usual, the soundtrack is spot on; it throws you off at first but accompanies the footage very well afterward. Excellent review.