Core-a-core

91. I've said it all. Really sterile as a controversy. For a 76, at least show a minimum of respect. When someone 15 years younger than you addresses you in the same terms, remember this page of DeB.

There's really nothing in the album. Perhaps because there's really nothing in the album.

I fully quote the comment up there.

Beautiful Panic! I had a good laugh thinking they were going to fire me.

Well, regardless of this album, judging Crashdiet as mimickers seems to me to be from someone who's not very familiar with the genre. That album is universally acknowledged as a cornerstone of the genre.

Hearth...delight! Sincere esteem Pier Paolo.

It goes beyond personal tastes, however. I simply said that they will lead the glamster movement of Northern Europe and that together with the first Crashdiet, it should be considered as the only album truly worthy of great praise since certain comparisons can easily be made. For example, Poison is clearly mentioned. From the cover alone, there is a lot in common, and it doesn't seem like plagiarism to me. Plagiarism is a serious matter, but I believe no lover of bullet & lipstick would ever dream of bringing it up for this album. That's all. The other bands I've mentioned give an idea (compared to the references I made for Crashdiet) that we're more in the melodic and carefree realm here. It would really annoy me to write 20 reviews on the overrated other bands of the genre from that origin, quite ridiculous like Crazy Lixx. I say this just to put the review in perspective given the total number of bands that proliferate and produce garbage. I've always only named one. Since February, it's been two. It seems appropriate without offending anyone.

Continue along the lines of great proposals and maintain high levels of writing even in short distances. This is an album to listen to and listen to again. I believe that Fedezan will be in touch soon.

Review very very very very, but very very, good. I found the album to be disarmingly cold, even though it's impeccable in terms of technique and production. I saw them live during this tour at the Astoria in London. They were preceded by the Brainstorming. Needless to say, the former warmed me up much more. The rest of the audience was really rocking with the Brainstorming, while with them we were practically all still just listening. When she went out to change, the rest of the group did a terrifying Simphony of destruction and there was complete madness. When she came back, everything deflated again. What can I say. I don't know.

Alexander, I really want to clarify that I didn’t mean to offend you. I find the assessment really disproportionate. That’s all. I never add notes like the last one I wrote, but I did it just in case a total enthusiast of the genre passed by. Who would then be free to share or register just to tell me to fuck off. I prefer fewer stories. I put it out there and dance. In fact, let’s all dance together.