ohjesus

I don't have it here, I mean.

I don’t have it, damn it... anyway, the tomahawks are amazing, I saw them last year at the Rolling Stone in Milan, Mike is an idol, he really puts on a show on stage, and then there’s the drummer, who vaguely resembles Frankenstein but has the sweetest expression. Behind the stage, images from Pasolini's *Clinica dell'amore* played, unfortunately, due to the infamous venue, some acoustic gems were lost, but it was a dazzling show, enjoy it!

Linkin Park are somewhat enjoyable, but not for more than half an hour; listening to a whole album can be a bit grating, and by the second or third listen, I get bored. Mediocrity is the word that best describes them. The "rapper", more than mediocre, is pathetic; the screamer I've heard live a couple of times, especially in "in the end," which they kept playing with great sadism on MTV, really sucks in that regard. Maybe he always has his voice down or gets emotional in front of the audience, how sweet... I’ll give him the benefit of the doubt. And the songs stick in your mind right away; there must be a reason for that, right? Maybe they’re just basic???

Zak, is the concert the same where the tomahawk will be?

zak, maddovemaddechè?
do you want to keep arguing a bit longer?
If you like Tom Morello, that's one thing, Audioslave is another. Listen to the complete RATM again, pay attention to Renegades of Funk, it's got a different flavor. This combination is bland.

Brilliant the pause in Hard to explain, I really love the song, the voice and sound groove but the melody is like a cartoon, and then that moment of silence...ahhh

So the RATM should have found another singer.
I don't think Chris has a political idea.
In your house I long to be
Room by room patiently
I'll wait for you there
Like a stone I'll wait for you there
Alone
But what is this? Where are the sick images from the lyrics of 7/8 years ago? Okay, it's been a long time, but I repeat, if this is all you have to say to me, just leave it. It's precisely because I love Soundgarden and dear old Chris that I get mad about this album...
Sorry for the mess with the posts... oops.

Let’s talk about it... the metaphor of oil and vinegar is perfect, Mr. Bonazzone. Chris has soured and, above all, become a bit of a fool, insipid... this is not his music; the RATM have sounds that don't fit his voice at all.. his voice is made for the blues, without Soundgarden it’s worth a hill of beans, but his decline had already begun with that pointless best of. I haven’t listened to Euphoria Morning (did I make a mistake?), Can’t Change Me was simply pathetic from every point of view. But have you seen the video???? And that of Cochise??? With the fireworks, my God, did they call the art director from Articolo 32? I'm sorry for RATM, they're not that bad; it's just that you can't replace Zack while continuing to make the same music. It was his little voice that made their songs not only beautiful but also special, plus the political engagement; Chris is just a little commercial guy lost at sea by now... bah...

The video is brilliant, images of collective and personal madness narrated by its enveloping voice, for the occasion a bit raspy, schizophrenic, from the angry to the exasperated "cos IIIII...looooooooove..." It reminds me of aenima by Tool. "Cave lists the world in forty stanzas," very true, and it presents a very clear and positive picture, considering how things are going... funny the priest who gets high... a collection of blob-like images. I haven't seen it at off hours, but it doesn't surprise me that Ghezzi appreciated it.

The croaky-screeching voice of Billy doesn’t tell me anything about this music... the woman leaving Maynard for the bald dude with the micropenis definitely didn't make a great deal. The Smashing Pumpkins were kind of nice, they had beautiful melodies, nice lyrics, but these Zwan could easily be a cover band for Britney Spears...