fosca

For FLOYD: The cover: I remember reading an interview back when the Police explained that those 3 symbols are simply representations of themselves processed by a computer into which they had input their physical and generic data; in short, it’s the way the computer (and we’re talking about programs from the early '80s) saw them. The one in the center is Sting, wearing a crown on his head, like a Prima Donna... The one on the right is Copeland, the tallest, but I don’t recall the other identifying symbols. I don’t know if I’ve been clear, I’m a bit fried from the office..

Hi Ele, every now and then I go back to fish out your reviews that I had lost, here and there... This CD is among my favorites from that time and I often listen to it again, always finding the same excellent reasons to do so. Not to mention Avalon. They are the 2 NEVER AGAIN WITHOUT of the good Brian... Kisses

Thank you for passing by here after 3 years since the last comment! ;)

Sorry, it was a 4...

For me, a splendid job, even more relevant than ever.

I love him.

Getting serious again: I didn't know it had already been released, but at this point, I can't wait to have it. I've been following Moltheni since his debut, I've seen him in concert three times, and I've had the chance to talk to him (though I don't know if he realized it given how "full" he was) and I'm totally enamored! He’s an artist who surprises me with every new step, and I love his inescapable melancholy! Bye

Kid_A... increasingly convinced... You're from the Marche, we have very similar tastes, will you review Moltheni for me... Marry me!!

Hi everyone.. I was also at the concert in the Marche Castle, a wonderful evening. I agree with the Queen about Mertens; He plays wonderfully, but by the third little song, one of my cheeks exploded and the hysterical laughter...

oooppsss, the disk..