Io Ho Il Pene Banned

You didn't understand a damn thing about my speech, but it's more likely that you don't want to grasp it because otherwise, you'd have to reconsider those you probably consider your heroes, whose posters you have hanging in your room. But I have patience with people like you. I didn't talk about the different influences of each member; I only said that Rage aren't as original as the teens scattered across the globe think they are. They didn't invent anything; they just had more hype. THE RIFFS OF RATM ARE TECHNICALLY ELEMENTARY in terms of time and melody, in composition and execution, LITTLE ORIGINAL, worn out even within the same RATM songs, REPETITIVE: 1 riff per piece if not 1.5 riffs per album, CLEAR and 5 on this album a damn thing.

Does rap prevail over the metal component? Where? In "Killing in the Name," for example, there's no trace of rap. Take a crash course and then come back and try to discuss it with me, bringing more credible arguments if you can; otherwise, you might as well stop spouting vile nonsense.

"In fact, they invented the crossover, that is, the fusion of different musical styles: hard rock and rap." They didn't invent a damn thing; instead, they borrowed insights from groups like Sweet Lizard Illtet. Try again, you'll be more fortunate.

I would sincerely like to vent finally, I’ve owned this record for many years, and everyone more or less knows my tastes, what I listen to, heavy stuff as well, I certainly have no problem enjoying the Residents or Ligeti, in short, we understand each other with the names.....and yet this piece of shit of an artist (and here I apologize to the fans of this artist) I repeat this piece of shit, because for me and only for me, it’s just a dumbass (I apologize again to everyone and to the supporters), it’s a masterpiece I know this record, it’s a 5-star record, but this is the most disgusting album in history, the most horrid, it smells like shit, and I say this with a sincerity that borders on the divine, years and years spent trying to listen to it, even 2 tracks at a time (as ajeje says), nothing, zero, once, about 3 months ago, it seemed something was about to click on "China Pig," nothing, zero, it's nauseating, fuck off, you piece of shit artist. I threw this CD in the trash, it even annoyed me to see it alongside the others.

That in Italy he was the greatest can be inferred from the last album; generally, at the end of their careers, the great dinosaurs arrive exhausted, with not much left to say, and they throw out some nonsense to celebrate themselves. But not him, anime salve damn, 1996, over 50 years, last album and timeless masterpiece, still black as pitch, black that takes away, that takes away the way. We all barely died is anguish and redemption, and a bold yet reasoned jè accusation against the powerful and their shoe shiners. Mythical in the finale... men without fail, demigods on earth, hey guys this is greatness and courage, where do we find such lyrics these days? Where?

saying that Rage Against the Machine have not a gram of the weight of bands like Fugazi or Jesus Lizard is just stating the truth, then if someone in here takes it personally without even justifying it, as Overkill rightly pointed out, it shows that there are really no arguments to support their thesis. For me too, RATM, when compared to groups like Bitch Magnet, really evoke pity.

metalhead, as Pino Scotto would say: stop jerking off and watch Rock TV. Rock TV: rock and roll, and fuck Jim's dad.

I have to say that this one you reviewed is far inferior to the previous ones; the decline is very evident, given the enormous albums they had already released (head - goat - liar - down). Let's be realistic, not more than 3 for this one.

Beautiful but not the best of AC/DC, which in my opinion remains If You Want Blood Live; the seismic shocks of their rock and roll are felt more.

desert shore in first place, then marble and the end, behind chelsea girl