c'è Banned

DeRank : 12,62
DeAge™ : 7211 days • Here since 14 september 2006
Genesis Invisible Touch
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there are no more mid-seasons. It was better when it was worse
Genesis Invisible Touch
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The 80s were tough for everyone.
U2 How To Dismantle An Atomic Bomb
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one, two, three, fourteen
Bob Marley & The Wailers Exodus
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the best of Marley for me is this.
The Doors L.A. Woman
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but I already knew it too
The Doors L.A. Woman
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Damn, you're right, I always mess up. Anyway, that was the point.
Bob Marley & The Wailers Exodus
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for the fact that it’s not a progressive reggae?
Bob Marley & The Wailers Exodus
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definitely the best of Marley and of all reggae
The Doors L.A. Woman
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Maybe with Iggy Pop they would have been a flop, maybe they would have made top-notch albums, but the Doors were one of the very few bands that didn’t try to replace their frontman, which is evidenced by the fact that they released a terrible album, and now they're being called out for having the audacity. But the Rolling Stones after Jones had the audacity to hire Mick Taylor shortly after and churned out albums like Sticky Fingers and Exile on Main Street. AC/DC had the audacity to replace Bon Scott shortly after his death and soon after released Back In Black.
The Doors L.A. Woman
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What do you know about what the other 3 thought? I don't believe the bullshit that's said about artists only wanting to make money when someone dies. I don't believe that when Bon Scott died, AC DC just wanted to make money; I don't believe that when Brian Jones died, the Rolling Stones only wanted to make money; I don't believe that when Jim Morrison died, the Doors just wanted to make money. Maybe they saw in Iggy the same rebellious spirit that was in Morrison or who knows what else, only they know. And back then, people were really convinced that music could change the world, so who knows what was on their minds. Honestly, with the narrow-mindedness of these times, especially when talking about music, it's impossible to judge. The Doors were great not only for Morrison but also for Manzarek, one of the greatest keyboardists in the history of modern rock after John Lord and Emerson, for Krieger, and for the way those 3 knew how to support Morrison in all his improvisations.