embryo

And then again

A doubt assails me: fake?!

ah I forgot

Beautiful review velvety gray, although I doubt that that sex-addicted big shot Tinto Brass intended to structure the film based on the dichotomies you mentioned. Great observations, though the aim of such a bland and gratuitously superficial film is to sell even at the expense of good taste and to boost the director's sexy Pygmalion fame, as if it were an honor to make famous shallow actresses just because they show off their tits and bodies. Far from Plato-Aristotle, Apollonian-Dionysian (which you explained splendidly anyway): Brass is a champion at perpetuating stereotypes, such as "the hot girl is to money what a hot actress is to a lack of talent." Sometimes, certain poor women he has propelled as whores of the big screen manage to redeem themselves over time and convince those who initially doubted their talent, like Claudia Koll; others do not, and so dear old Tinto has won doubly. Anyway, well done.

@doctor J: I believe STP have a significant connection to Seattle, maybe not with Mudhoney (I mentioned them just to say that in my opinion, Arm and the gang are more deserving than them), but definitely with Alice In Chains, Soundgarden, and Pearl Jam. I don’t know about you, but for me their music is a clever synthesis of the most famous Seattle grunge (I even wrote a review on CORE where I state these things). I wanted to say that even if they’ve never sought success, the public should reevaluate them instead of wasting time on Strokes, Babyshambles, Franz Ferdinand, etc. If there’s such a trend for reviving garage and certain old-style sounds, then they should listen to Mudhoney. Anyway, thanks to everyone, it’s nice to share viewpoints with you. Especially thanks, don, it’s an honor to receive compliments from an expert like you. I can’t wait to read your next review.

You Can't Always Get What You Want is not from Beggar's Banquet, it's from Let It Bleed and at the time it was unreleased.

"... the best of the Nirvana production in a melodic key": ??? But if half of their repertoire consists of covers?! "...long and engaging guitar solos": what?! Are you talking about Nirvana or Deep Purple?! Try again, you'll be luckier... maybe review something less praised and more original.

This review (or supposed one) could have been avoided! Come on, you can't get away with just a couple of half-hearted, terrifyingly rhetorical words to describe a masterpiece like this! Comus are one of the most brilliant and unjustly underrated bands of the English underground of the early '70s, with their delirious yet exquisitely refined acoustic psychoprog. Listening to "The Herald" x believe.

I wouldn't even dare to listen to half a song by that phony and ambitious bitch! My stomach turned just reading the lyrics (or supposed lyrics) that you quoted. And after those falsely rebellious beginnings, what happened to dear Jo? Shitty pop songs, asses and tits in the wind, decline, just and well-deserved oblivion, and finally a fucking reality show! But then again, that's how things go these days. Anyway, nothing to say about the review and the proposal, which, as controversial as it turned out, was original and unusual.

I also love David Gilmour; his touch is unmistakable, but I’m aware that there are technically better guitarists. What sets Gilmour apart is his style, rather than his technique. After all, the solos of Comfortably Numb and Another Brick In The Wall, to use two famous examples, are not difficult to play in terms of sheet music; the difficulty lies more in rendering them with the same expressiveness as Gilmour.