Hal

DeRank ™: 9,08

DeAge™ : 8376 days • Here since 6 may 2003

Ornette Coleman At the "Golden Circle" in Stockholm, Vol. 1

28 mar 06

Voto:

This analysis of free as a conceptual pinnacle of Pollock is beautiful; I agree. Then I wonder if the formal plan can lead us to new developments—is it possible in other areas? To enhance contaminations? To use other sounds, I don't know, for example, with electronics? In short, what direction is jazz moving in today? Is it possible for it to reinvent itself again? There are many questions, and the answers are not easy for me.

Brad Mehldau Places

28 mar 06

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so we have almost completed the discography :))

Brad Mehldau Places

28 mar 06

Voto:

Mr. Green Genes also tries to take a look at the other two reviews; in the comments, it seems to me that there are useful musical suggestions on Mehldau. I would take the three reviewed here and then add Songs and Elegiac Cycle bye.

Ornette Coleman At the "Golden Circle" in Stockholm, Vol. 1

28 mar 06

Voto:

Attention Mr. Green Genes, I didn’t say that there is only (or that there should only be) breaking music. The point was something else: today (in the current context) I don’t perceive (subjectively) the presence of cultural currents with a weight, a force comparable to that of free (as an example). If you have a different perception, please provide some examples; mine was mostly a request for help :))

Ornette Coleman At the "Golden Circle" in Stockholm, Vol. 1

28 mar 06

Voto:

Yes, that's also true, and then I would add that today (in general) I feel less the presence of disruptive fractures like that of the free. With the doubt that perhaps they exist, but get lost in the vastness of today's musical offerings. Bye

Ornette Coleman At the "Golden Circle" in Stockholm, Vol. 1

28 mar 06

Voto:

Already fagen85, right or wrong, my impression (and it doesn't concern only this field) is that today we are living off the effects of upheavals that are very far away.

Charlie Haden American Dreams

28 mar 06

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little to nothing to add to what you say, this is a beautiful album as well, even though my first listens left me a bit cold, but over time I managed to appreciate this work a lot. I like that you remembered Shirley Horn who passed away not long ago, we should review something of this great interpreter, there’s no shortage of resources ;)) Hi

Ornette Coleman At the "Golden Circle" in Stockholm, Vol. 1

28 mar 06

Voto:

Very beautiful... and it leaves me with an impression: if once in a while there were jazz musicians who spoke strange languages, today doesn't it sometimes feel like there's too much looking back? Are strange languages still being spoken, or are they getting lost in the vastness of today's musical offerings? Hello

Quicksand Manic Compression

27 mar 06

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ok kappa, whenever you want, I'm really curious to hear it :))

Quicksand Manic Compression

27 mar 06

Voto:

It shouldn't be my kind of thing, but the review creates an incredible curiosity that urges one to listen; the samples should be a must after this nice introduction.