Francescobus

I read it carefully, but it's a difficult topic for me; nonetheless, congratulations.

Good, even if it's not my genre.

Great review. The Cats are a legendary group just like their songs.

Listen guys, I'm from the south of Vicenza, but I really like Verona and I think the Gatti have made some beautiful songs. I always enjoy listening to "Discogatto" and the same goes for "Verona Beat." They’re a cabaret group but also serious, deep down. Hi everyone!

Well done, someone wanted Cristina d'Avena and they got it. The beauty of De Baser is that you can find everything there. Just think, I bought my son a CD of songs from Zecchino D'Oro with "Il Valzer del Moscerino." Now he’s 13 months old, but when he struggles to fall asleep, I sing him "Rumakatumba," the one with Cleto Leoncino as the star from Zecchino 1977 or 1978, I can't remember. Hi everyone!

I know the genius of Minneapolis, famous for his major songs, but I have never been a fan. The review is very well done, and you made some sharp observations. Welcome!

This review is too short for such a great album. No hard feelings, but you should have added something else.

This album has three or four great songs on par with the first and then a series of fillers likely written under pressure from the record producers. It's absolutely a criticizable opinion of mine, but I have the impression that thirty minutes say it all. It's like "Tonight" (1984) by David Bowie, which followed the success of "Let's Dance" (1983). That said, "D.O.A" is excellent, and "Spanish Fly" is a delightful, brilliant interlude. The only factor that might be superior to the debut is David Lee Roth's vocal performance, anyway, I respect your position Aniel. Bye!

I saw a video of the so-called Van Hagar from 1986 that captured (with poor audio quality) a concert in New Haven, and I have to say that the Red Rocker had tons of grit, in addition to being a good guitarist. After all, think about what he did with Montrose and in his numerous solo albums. For me, as a Thrash enthusiast, there’s a comparison to be made with Exodus regarding the Roth-Hagar duality, which reminds me of the one between Baloff and Zetro Sousa. Sousa is technically superior (and you could debate this for hours), but he has never made anyone forget Baloff's charisma (legendary on "Bonded By Blood"). The same goes for Roth, who was an extraordinary entertainer, whereas Hagar was and is more of a musician, a singer who also writes the music. Fans, however, always thought of David in the "You Really Got Me" format, so Hagar always had a hard time, even while selling millions of copies alongside Eddie. A very good review that is an interesting read. Well done.

As a review, it deserves full marks: great! And the album too, Ciao!