egebamyasi

Francis olè! I love it when I hear people get excited about music, the kind made with skill. You could have given me a 1 in the review, I don’t really care about the scores, since I won’t be getting any feedback anyway and I can spend the summer peacefully at the sea, not buried in books like in high school. Of course, I’m happy if someone appreciates them. By the way, Francis, I invite you to read the others on my behalf, not because I wrote them, but for the albums they discuss, true masterpieces of rock in my opinion. Maybe you don’t know some of them and you might discover something new, and if you already know them let’s start a discussion. It’s always nice to chat with people who appreciate good music. Ah, it’s true, I made a mistake in the punctuation, but I was new, I learned my lesson and now I have corrected myself. If I’ve caused any trouble I apologize, but I don’t think it’s necessary to keep digging into this issue. Best regards to all and see you next time.

great gentlemen!!! finally someone who notices something.
this situation is disheartening, I would love to shake your hand in person. But do you realize? one tries to propose records like this, making the effort to review them in the best possible way (even though it's almost impossible to review a record like this) and then? absolute desert. Sorry for the rant.

no one has voted yet...huh? frankly, I'm puzzled. Well...happy for you...you're a bit dim-witted though, aren't you?

Well done, ValerioZappa! Thank goodness there are people like you on this site. It’s for them that I write something, in addition to having fun. I believe there’s a wrong approach to music here. I review extraordinary albums, landmarks in the history of rock, and here are the comments—nothing. No one notices, and on top of that, some jerk finds it amusing to cause a stir. I inevitably get nervous in the face of stupidity. In the presence of stupidity, one must be racist.

vainly you're ridiculous. Your attitude reminds me of an Ultravox album. ah ah ah!

You're right, ROHAN, "I Want To Be A Machine" in that album you mentioned is extraordinary, a foretelling of what would become this equally extraordinary "Metamatic."

A very well-made, inspired album. Open and caressing sounds. It's true, it can't be called dark, there's no trace of black humor; instead, a conscious disenchantment can be felt within the fabric of these sounds. "THE SAME DEEP WATER AS YOU" is an atmospheric gem, with a beautiful idea of incorporating the sound of rain as a background carpet. Smith's only flaw, in my opinion, is very well expressed by Piero Scaruffi: having little sense of humor, taking himself too seriously. This can sometimes be boring and become cloying. On the lyrical level, he is also overrated. I don’t see much poetry in his lyrics.

You can't compare Vasco Rossi to Roberto Baggio. A more fitting comparison would be with Mario Jardel.

I'm very curious about it, but unfortunately it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's not to be found, it's never to be found, it's not to be found, it's never to be found, damn it, it's never to be found, it's not to be found, it's not to be found, cursed starving girls craving nothing, it's not to be found, it's not to be found, it's not to be found, cursed shopkeepers who sell even happy caccamo for money, it's not to be found, it's not to be found, it's not to be found, I can’t find anything, it's not to be found unfortunately, I can’t even imagine it, it's not to be found, it's not to be found and they laugh in my face, it's not to be found.

The album is unique. However, it requires a lot, a lot of patience to be digested. It's an incredibly heavy block, and listening to it all in one go is honestly a monumental task. Still, I repeat, it is unique, and that's a significant compliment. Very cerebral, too long, and self-indulgent.