bohhh

Horrible

The most beautiful film by Paldo, Bastranni, and Gnadomo.

More than Alex the ram?

Woe to anyone who touches me, Alex the Ram! The greatest masterpiece of WORLD cinematography. The whole stroller scene is a masterpiece of surrealism.

But does it have analog editing, at least?

And you absolutely don't miss anything.

I suspected it...

4 seems a bit much to me. It's true that there's Modena and Stai con me, but the rest... wavers quite a bit. Probably Antonello's most inconsistent album, with highs and lows... Kriminal and Buona domenica would be enough to give it 2 stars, while Modena alone would be enough for 5 stars.

even woman in a bottle, sorry I have to go and robin are nice tracks. happy Sunday in the end it's a little track, and yet grand.

Well, I find them indifferent, neither crap nor masterpieces. "Buone domenica" is a simple, historical, and engaging little song, for goodness' sake, but it's still just a little song.

"Legendary love" is nauseating like few others, and "Cristina's birthday" is of an astonishing banality. I agree on the four "nice tracks," while the other two leave me completely indifferent, neither to exalt nor to denigrate.

BUT NO! Miraggi no, it was cute and even the title track wasn't bad!

And then @[Company], until recently you were saving Cristina and now, have you changed your mind? This can only get better.

Well, yes... upon listening to it again, it's a little silly.

But in the end, a friend of mine told me this interesting thing, namely that "In questo mondo di ladri is a sequel album," and it really seems that way: Ricordati di me can be the sequel to Dimmelo tu cos'è, Il compleanno di Cristina to Sotto il segno dei pesci, In questo mondo di ladri to L'ottimista, Ma che bella giornata di sole to Sotto la pioggia, etc.

It may be that this is an album I'm very attached to, but I can't help but like it.. okay, there's the title track, there's "Dimmi che credi," there's "Raggio di luna" (which I've always found annoying), but there are also "Alta marea," "Noi," "In qualche parte del mondo," "Dolce Enrico"… overall, I would say that, aside from personal attachments, a 2.5 rounded up to 3 seems fair. Then it will be a zero across the board, except for 2 or 3 songs.

I obviously respect your opinions, but for me this album doesn't even deserve that single star. Same goes for all the subsequent ones. And "alta marea" was a horrifying cover.

But I would also avoid hell

Surely, better in heaven than in hell.

Not all the curses possible and imaginable are enough to describe this abomination.

And Lilly... and Attila and the star... and Ballpoint pen........ well, you know...... just a little thing......... more than WELCOME TO HEAVEN WITH US.

if seilmoooondo were an anggooolo of cieeeeloooo I would remain the meeela of sinnnn, ammmoreeeeeee what are you doiing, ammmore like thissssss isn’t fairrrrr, soooo hurry up!!!

then those "avavavaiavavava ciucciu" endings...oh my God what a horrible thing

BRR

And far away is Milan. The brown bear is the absolute master of the Slavs.

Even if certain arrangements... don’t work, but okay.

The songs are wonderful, but on the arrangement side, I just can't be convinced. It's practically a smoothie of Elton John's early albums (especially Madman Across the Water from 1971)... in my opinion, his golden period will begin with the subsequent Le Cose della Vita, and last until Sotto il Segno. From Buona Domenica to In Questo Mondo di Ladri a good singer-songwriter, with absolute peaks here and there (Modena and half of Sotto la Pioggia (album)), then something from Benvenuti in Paradiso, then complete nothingness. The only album from the last decade that seemed to me on the verge of decent is (don't shoot me) Che Fantastica Storia (2003), obviously excluding the duet with De Gregori and the horrendous Estate Rubino.

Mh. SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS SSSSSSSSSSSSSSSSSSSSSSSSSSno. What a fantastic story life is, it's less worse than the previous ones, but given that before there were the bitter fruit and Goodbye novecento, it could only get better... that doesn't change the fact that it's still a bad album. Then again, there were Unica and Tortuga that went back to those levels of crap...

Let's also talk about My Father Has a Hole in His Throat, an unsettling family portrait filled with verses that are nothing but the mockery of the last 30 years.

Let’s not forget "Piazzale degli Eroi" or "Ora che sono pioggia."

Oh right, "Marta".