peter weir: the truman show
DVD Video I have it ★★★★★
Amazing film, with a Jim Carrey who reveals himself to be a great dramatic actor.
Peter Weir: Picnic A Hanging Rock
DVD Video I have it ★★★★★
Dreamlike, unsettling, incredibly captivating. A film with a unique atmosphere, a dream on film, something inexplicable, breathtaking photography, stunning music, auteur direction. Weir's masterpiece (just slightly superior to The Truman Show and The Broken Years).
  • adrmb
    16 may 18
    Lynch+The Age of Innocence=we fly
Peter Weir: L'Attimo Fuggente
DVD Video I have it ★★★★
Great movie, it has its flaws and it's not Weir's best film (Gallipoli, Truman Show, Picnic), but it has a truly beautiful ending (a bit predictable but splendid) and moving, and Williams proves to be a very versatile actor also suited for dramatic roles. Excellent.
Here, I believe it's the last decent thing ever done by Collins as a solo artist in his career (in absolute terms, there's also "We Can't Dance" by Genesis, which is also "decent") and definitely more enjoyable than the terrible predecessor. The more upbeat tracks are, in their way, nice and fun; there's "Another Day in Paradise," harmless but with a catchy melody, and then, well, there are unfortunately 5-6 awful ballads, and there's nothing to be done about it. Let's all throw the rotten apples at Steve Winwood for playing the Hammond on "All of my Life." Anyway, it's listenable, if you're easy to please and as long as you enjoyed at least the first two of Phil's solo works.
  • pippo 70
    24 jan 17
    The enormous commercial success achieved by Genesis in the '80s increasingly led them adrift; in a desperate attempt to further consolidate that success (and fill their wallets), they composed increasingly syrupy music, stifling the creative spirit that had distinguished them a decade earlier, when, truth be told, they had still enjoyed considerable success. Yet, it is known that the vile money can make many people lose their heads. That said, credit must be given to Phil Collins, if nothing else, for participating in a fascinating project during that historical period, redeeming his skills as a musician and composer with "Brand X," alongside an embarrassingly (artistically) solo career that, however, would reward him tremendously from a commercial standpoint. I agree that "...But Seriously" and "We Can't Dance" are perhaps the least bad of the more recent production by Phil Collins and Genesis. As for Steve Winwood, once he left Traffic, he embarked on a more "light" solo career with stellar commercial success. However, unlike Genesis and Collins, he has always maintained high-quality standards, without distorting his artistic spirit solely for the sake of mere economic gain, as many other famous artists unfortunately have done.
  • hjhhjij
    24 jan 17
    The Brand X, however, started in 1976, when Genesis were still at their peak. They aren't very parallel, or at least they are only parallel until 1982 (the year of their first breakup) and the year of Collins' second solo album; it must be said that Collins' first two solo records are valid and reflect the fact that at that time, Collins, even though he was in a somewhat pop/soul/soft-jazzy direction, continued to be a musician at a certain level, in addition to the beautiful project of Brand X. When Collins fully embraced commercialism (let's say from 1984), Brand X was no longer around. If you notice in Collins' first two albums, John Giblin also plays, so effectively we have the rhythm section of Brand X from '79-'82 (the two also played together on Gabriel's "III," of course; it's a shame Giblin didn't bring Phil along for "Never for Ever" by Kate Bush, you know how cool that would have been). Collins as a solo artist and the later Brand X are also connected by a good musical quality. Unfortunately, the worst of Collins has never been accompanied by the parallel career of Brand X, only by that with Genesis.
  • hjhhjij
    24 jan 17
    "desperate attempt to further consolidate that success" Not so desperate, Pippo, they managed quite easily, alas. But it’s Banks who decided to ride the wave of Collins’ solo success, certainly happy to make the double hit. First, the only vague examples of super-commercial Genesis were Follow You (which fits in that album like cabbage on Nutella), Turn it on Again (a catchy pop piece but very pleasant), and Misunderstanding, which is terrible.
  • hjhhjij
    24 jan 17
    I agree on Winwood. I'm familiar with his early solo works, which are lighter but of high quality. Then he, but also Collins, bounces back with intense session work, often on interesting albums (just like Richard Thompson, who appears on so many records, although he never needed to "bounce back" from anything, rather he is always at sublime levels; maybe Winwood isn't even, but Collins is :D). The comment about Winwood was more of a joke than anything else.
Phil Collins: Hello, I Must Be Going!
CD Audio I have it ★★★★
For me, Collins' best album, slightly above the previous one. It's a good pop record where Phil seems to remember he's a musician and not just a mere printer of complaints. Alongside him, the loyal Stuermer on guitar and, as in "Face Value," once again John Giblin on bass for some tracks, his rhythmic companion in Brand X or on Gabriel's "III." "I Don't Care Anymore" and "Do You Know Do You Care" are probably the best songs from Collins as a solo artist, with "In the Air..." and "Thru These Walls" right behind. "You Can't Hurry Love" is so perfect that it covers itself, while "Why Can't It Wait 'Til Morning," with its flutes, oboes, and horns, feels closer to certain pop Genesis from the years just before. Nice little record, a couple of avoidable tracks but the stumbles don't go beyond that.
Phil Collins: No Jacket Required
CD Audio I have it ★★
5.5
Phil Collins: Face Value
CD Audio I have it ★★★★
Oh, I keep saying that Phil Collins as a solo artist started off well, with two nice albums of that pop-fusion-blue eyed soul-r&b that he loves so much, being a born entertainer. This first album is one of the thousand faces of Collins (in the same 1981 there was also “Abacab,” but during that time there were also Brand X, the collaboration with John Martyn, in short, the usual one, none, and a hundred thousand) and especially the first half I must say is a little gem, with at the top that standout track “In the Air Tonight,” of course; there are the ideas, like bringing back the dry drumming without cymbals due to the experience from the year before with Peter in “III-Melt.” The ballads/slow songs are sometimes really nice and other times they are a bit of a Collins whine but 10 times more enjoyable than the Collins whines that will come later. From the “marital crisis” sessions of '79-'80 came out some beautiful pieces, there’s groove here, a great rhythm section (there’s the buddy John Giblin, just to mention, you know...) a singer at the peak of maturity and expressiveness, a musician who hadn’t yet forgotten how to be one. Of course, in the second half it drops a bit but remains pleasant overall. And anyway, it's quite obvious that he reserved the leftovers of his own songs for Genesis, just think of “No Reply at All” on the contemporary “Abacab.”
Phil Collins: Both Sides
CD Audio I have it ★★
At least a sincere and very intimate album. It's his least commercial record. It's only partially successful, though.
6.5
Philip K. Dick: Follia Per Sette Clan
Cartaceo I have it ★★★★★
9.5/10
Philip K. Dick: Ubik
Cartaceo I have it ★★★★★
10/10
10/10
Philip K. Dick: L'Occhio nel Cielo
Cartaceo I have it ★★★★★
9/10
Pink Floyd: A Saucerful Of Secrets
CD Audio I have it ★★★★★
Pink Floyd: Animals
CD Audio I have it ★★★★★
Pink Floyd: The Division Bell
CD Audio I have it ★★★
Pink Floyd: The Wall
CD Audio I have it ★★★★
Pink Floyd: Meddle
CD Audio I have it ★★★★★
Pink Floyd: Ummagumma
CD Audio I have it ★★★★
Pink Floyd: Wish You Were Here
CD Audio I have it ★★★★
Pink Floyd: Dark Side Of The Moon
CD Audio I have it ★★★★
Pink Floyd: Atom Earth Mother
CD Audio I have it ★★★★★
  • pana
    28 jul 12
    Earth???? Oh my god. By the way, the photo has also come out...
Pink Floyd: The Piper At The Gates Of Down
CD Audio I have it ★★★★★
Pink Floyd: Live at Pompeii
CD Audio I have it ★★★★★
Together with "Relics," it's a kind of sacred text for those who especially love the early Pink Floyd. There's "Careful With That Axe, Eugene," there's "Arnold Layne"... And how can you get a masterpiece like "Julia Dream" out of your head? A treasure chest of pearls.
  • Kotatsu
    16 feb 17
    A compendium of sacredness, more than a true text. I might take this one. The box set The Early Years would be a dream, but the price is prohibitive. 500 euros upfront! The Early Years 1965-72: Pink Floyd: Amazon.it: Musica
  • Kotatsu
    16 feb 17
    You made a mess with the details of the work, though! :)
  • hellraiser
    16 feb 17
    On Christmas Eve, I got it at a massive discount, taking advantage of the Christmas envelopes from aunts and grandmothers. The material included is more than enough; in these two months, I've really enjoyed the first two box sets (out of seven) with audio CDs, Blu-rays, DVDs, and I must say it was a worthwhile expense, much more than the "Immersion" series of their three bestsellers. The 45 RPM records from the Barrett era are beautiful—a nice piece of history.
  • hjhhjij
    16 feb 17
    "Cambridge Station" is a Must. But I strictly downloaded it :D
Pixies: Come On Pilgrim
CD Audio I have it ★★★★
Pixies: Surfer Rosa
CD Audio I have it
Simply fantastic.
Pixies: Doolittle
CD Audio I have it ★★★★★
PJ Harvey: Rid Of Me
CD Audio I have it ★★★★
Definitely a very good album, the most badass and gritty from PJ Harvey, with its omnipresent distorted guitar riffs accompanied by the solid and engaging rhythm section by Rob Ellis (drums) and Steve Vaughan (bass). The three of them are really fierce and in great shape. On production, the magical touch of Albini. I can’t give it a 5 because, in the long run, it feels a bit repetitive and not all tracks live up to the masterpiece (many are still splendid, though), but it remains a great album.
  • De...Marga...
    27 apr 14
    Along with the debut, these are my two favorite albums by Ms. Harvey, thanks to a direct guitar sound that is essential yet well highlighted by effective production. Beautiful album, excellent recovery hjhjjhij.
  • hjhhjij
    27 apr 14
    Nothing to say about Albini's production in this, obviously. However, I might prefer the two that followed, more mature yet still genuine. This one too, as they say in technical jargon, spakka.
  • De...Marga...
    27 apr 14
    I continued to follow and appreciate Polly J, who remains an authoritative author even in her subsequent albums; as is always the case, a more mature age corresponds to a broader sonic exploration, with a sound that becomes more thoughtful and less raw, as characteristic of the early days of the English singer-songwriter.
  • selfadjoint
    27 apr 14
    A little while ago, I bought Rid Of Me and To Bring You My Love; I haven't listened to this one yet, but the second is really amazing from start to finish.
  • hjhhjij
    27 apr 14
    I agree, for me To Bring is probably his masterpiece. Beautiful.
  • SilasLang
    27 apr 14
    Great, cool album. But, in my personal opinion, "Dry" is another step forward. And "To Bring You My Love" is perhaps my absolute favorite. Anyway, I adore Harvey; at least until '98 she was a goddess.
  • hjhhjij
    27 apr 14
    "I'm picking up "Dry" now. We all agree on To Bring, I see."
PJ Harvey: Dry
CD Audio I have it ★★★★★
A fantastic debut for Harvey. 5 stars might be a bit generous, but I'm happy to round up to the maximum, especially in light of that masterpiece known as "Plants and Rags." A lively and gritty album, the trio of Harvey-Vaughan-Ellis really delivers. Compared to the follow-up, this one has the "merit" of resonating with me a bit more overall. Wonderful.
  • Psychopathia
    21 may 14
    You know what? Try dance hall at louse point, very bare... this one I've worn out.
  • hjhhjij
    21 may 14
    The one by Harvey/Parish? In fact, I don't know it, I need to listen to it.
  • De...Marga...
    21 may 14
    You said it well, a stunning debut from the English singer-songwriter; a bare, straightforward, essential album where the guitars scratch and hurt.
Popol Vuh: Affenstunde
CD Audio I have it
8/10
9/10
Popol Vuh: Hosianna Mantra
CD Audio I have it ★★★★★
9.5/10
Be "The Island of Nothing" is a beautiful album, no doubt about it. With "Photos of Ghosts," the international period for PFM began, marked by their collaboration with Peter Sinfield (a great man) for the English versions of the songs from their previous albums. With this album— the first featuring Djivas on bass— PFM confirms itself as the Italian prog band most inclined to embrace and replicate the style of the English masters. If it weren't for the vocals mostly in Italian (the choice to sing everything in English had already been made, as Lanzetti would soon follow), and for some moments more personally "peninsular," it would seem entirely like an English prog-rock album, not exceptional but quite valid. Yet, amidst the blend of inspirations that covers the entire range of the great names in English progressive rock (the King Crimson influences are evident, though they also draw from other KC—with sounds reminiscent of Fripp's contemporary albums—let’s reiterate, they were collaborating with Sinfield during this period, but various influences pop up here and there; we know those names well), some nice tracks do emerge, but in the end, my favorite remains the sweet and bucolic watercolor from early PFM (the one that mixed the melodic inspirations of the early KC with those of a Battisti) of "Dolcissima Maria," with a melodic taste worthy of ten and praise. There’s also an English song here, the lovely "Is my Face on Straight," with lyrics by Sinfield.
Premiata Forneria Marconi: Chocolate Kings
CD Audio I have it ★★★★★
What a fantastic album, undoubtedly my favorite from Forneria; if "Storia di un Minuto" is somehow the most captivating, "Chocolate Kings" is simply the pinnacle of the band. This album features the best lineup of PFM (Lanzetti, Mussida, Premoli, Pagani, Dijvas, Di Cioccio) at the best moment of their career from every perspective; above all, there's Bernardo Lanzetti, finally a lead voice with real balls, this son of Chapman and younger brother of Gabriel, who brings to PFM a charisma and intensity, as well as a vocal ability that had never been approached before (and indeed it’s a much more sung album—thank you very much). Here they fully embrace the English model, and for the first time, Pagani writes lyrics in English, with the collaboration of Marva Jan Marrow—writer, poet, and partner of Dijvas). There are five tracks and they are five bombs; Franco Mussida is the great lord of this album, he is the one who dominates as the main composer (only in "From Under" is he joined by Premoli and—listen carefully—the guest Ivan Graziani) and he is at the artistic peak of his career; Mussida—and the band in general—proves they can keep up with the English masters (aside from Lanzetti, there’s a lot of Genesis in here) and then there's "Paper Charms"... "Paper Charms" that soars high, perhaps the only track from Forneria that gives me "the thrill", a fantastic piece, with a finally fantastic singer.
Premiata Forneria Marconi: Storia Di Un Minuto
CD Audio I have it ★★★★★
I never loved Forneria as much as other Italian bands in the prog scene, but it must be admitted that their debut album is truly a splendid work. "Storia di un Minuto" is an album with suspended, delicate atmospheres, in which it is pleasant to immerse oneself; it is extremely fascinating and represents one of the peaks of melodic sublimation in Italian "pop-rock-folk" music, with its substantial acoustic sections, the cornerstones of the album, painted like watercolors by an inspired Mussida, and a Padanian fog that sometimes clears into more dynamic and equally exhilarating electric sections. Then, like a true fantasist who enriches all the compositions with his touches of pure melodic class, the final stroke is always given by Mauro Pagani, the real "extra man" of PFM, on flute, violin, and piccollo. Even the absence of a true singer, a weak point in the subsequent albums before Lanzetti, here—with the delicate and fragile voices of Mussida and Pagani—becomes a strength in the delicate landscape presented in the album. It is Mussida and Pagani who dominate the composition and write the entire album together, while Premoli sprinkles immortal moog hits (who said "Impressioni di Settembre"?) and various keyboards. The masterpiece of the lot: "La carrozza di Hans," long acoustic reflections and reminiscences of early King Crimson (which Fripp had just nuclearized, by the way).
Premiata Forneria Marconi: Jet Lag
CD Audio I have it ★★★★
The Jazz-Fusion/Prog album by PFM boldly ventures into territories that were still very much explored by many in the second half of the '70s, enriching it with "Mediterranean" sounds and some inspiration of another kind (in the beautiful title track, my favorite piece on the album, the first approximately three minutes are an apocryphal homage to Gentle Giant, with a Chapman-Gabriel hybrid on vocals like Lanzetti). It certainly makes one smile that just when they've found a true and capable singer like Lanzetti, they choose to create at least three instrumental tracks, but then just say it, as much as the genre typically leans in that direction, let it be clear. Then oh, "Peninsula"—Mussida's acoustic test—is a stunning instrumental, after all. Of course, the Jazz-Fusion evolutions lead the band—without Pagani and with Greg Bloch replacing him on violin—to get lost in music that, despite its undoubtedly evocative atmospheres, occasionally ends up tangled in displays of rather cold virtuosic skill. However, it’s a beautiful album, of great class, where we can hear Lanzetti singing in Italian (UH) in "Cerco la lingua," another of my favorites, indicative of an album that is a decent melting pot of sound influences, and a band suspended between Mediterranean identity and British international push.