JpLoyRow3

Battisti's debut marks a reclaiming: after years of "back work" for the beat groups of the time, Ribelli, Equipe 84, Camaleonti, he takes back those songs and arranges and sings them in his own way. The leap in quality is enormous, and anonymous songs like "Non è Francesca" (given to I Balordi) become easily accessible cult classics thanks to the musical insights of Battisti and his collaborators (in this case Gianni Dell'Aglio on drums). "Un'avventura" and "Balla Linda" go down in history, along with other songs ("La mia canzone per Maria," "Uno in più") which, while pleasant, still seem immature and far from what will become the artistic path of the singer-songwriter from Poggio Bustone. riappropriazione: