teenagelobotomy

Your comment on the chart

Comments on this chart

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  hjhhjij

  14 feb 13

  I'm in complete agreement on some (well, almost all in the top 15). I think Heat and Big Fish are a bit too high (they're great movies, especially Heat, but for example, of Burton’s films, I prefer three others over Big Fish). I finally watched The Funeral by Ferrara. A masterpiece, even better than Bad Lieutenant. King of New York is great too. What a fantastic director.

   

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    teenagelobotomy

    14 feb 13

    I will add more as they come to mind; for now, these are the ones to reference. Heat is virtually at the fourth, Big Fish in my opinion is the Burtonian summa, besides making me very emotional. The Funeral is stratospheric, see also The Addiction Hj.
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    hjhhjij

    14 feb 13

    The Funeral is stratospheric. Yes, I still miss The Addiction, which has a theme (vampirism combined with drug addiction) that attracts me terribly, genius. I'll watch it as soon as possible. Big Fish definitely moves you and is also a beautiful film, one of his best. However, I know it's cliché, I prefer Edoardo :) and Ed Wood. And Beetlejuice, which isn't the first time I've found myself adoring a more raw and spontaneous work by a director (think Scorsese-Mean Streets). One more thing. I was anxiously waiting for Dead Man to be in this ranking :)
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    hjhhjij

    14 feb 13

    Applause for The Age of Innocence. Even though for me it’s only sixth among Martino's films, and to say it’s a masterpiece, but Martino is Martino and he has done better :)
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    teenagelobotomy

    14 feb 13

    Dead Man could not be missing ;) The Age of Innocence, in my opinion, although it's a strong statement, is Scorsese's best film, undoubtedly the most complex and tormented, rich in meanings and suggestions. Maybe it's because I particularly love films set in the eighteenth or nineteenth century in general.
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    hjhhjij

    14 feb 13

    No no, I'm fine with it even if I didn't know you considered it the best. Technically speaking, it's practically a perfect film (in the '90s, Scorsese was at his peak in this regard, even though I still prefer him earlier), perfect direction, not a detail out of place, stunning sets (Ferretti), everything in its place. Strong then with an unassailable screenplay, beautiful cinematography, and three excellent performances. For me too, it's an absolutely great film without any doubt. Oh, but look, there's Django :D
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    hjhhjij

    14 feb 13

    I had so much fun watching Django. Oh, Waltz is a monster. Did you know he will star in the next Terry Gilliam film? I can’t wait.
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    teenagelobotomy

    14 feb 13

    Inevitably, I can't help but include almost every Tarantino film in the top 50 :D
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    hjhhjij

    14 feb 13

    Well, it's normal; I expected it. I've already added almost all the Kubrick ones ;)
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    teenagelobotomy

    14 feb 13

    It's obvious that the order gets jumbled after a while; it's not like I can prefer Planet Terror to Once Upon a Time in America. From Tarantino, I've included only my favorites, but we know I love them all almost equally. Let's just say I've listed the ones I watch most often (and Django).
• 

  nes

  14 feb 13

  Stuff that: if you forget the hyenas on the street it’s serious, if you prefer Rodriguez over the hyenas then you’re the one with the problem.

   

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  • 

    hjhhjij

    14 feb 13

    What if the order is scattered?
  • 

    nes

    14 feb 13

    Order? Who spoke of order? I was talking about deficiencies... congratulations on managing to find the hyenas under Rodriguez, by the way, seriously, how did you do it? And most importantly: where are they?
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    elv

    14 feb 13

    more than anything... remembering a title late is also understandable, but moving it to the right position in the ranking is a worldwide hassle
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    teenagelobotomy

    14 feb 13

    I accidentally replied here to Hj's message above.
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    hjhhjij

    14 feb 13

    But why does nes say random things? Nes, I understood that you were referring to the absence of the Iene; my question was about your "if you prefer Rodriguez to the Iene, you’re serious" in the sense that if they added it under Rodriguez, maybe it’s because the order is mixed up. And I also think it should be added :)
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    nes

    14 feb 13

    You didn't say it wasn't complete...
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    hjhhjij

    14 feb 13

    I repeat: in the sense that if MAYBE she adds it, etc. If it ended like this, considering her love for Quentino, she could have even reached fifty and put it (Le Iene), maybe she will wrap it up another time, who knows :)
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  nes

  14 feb 13

  Then why spread it if at the beginning the author insists on including even the films that he couldn't find in the database and wants to let us know where they should be positioned? At least, I imagine that 1) the killer followed by 3)... and a 10)... must mean something.

   

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  • 

    hjhhjij

    14 feb 13

    But I don't know, ask him. But actually, why the hell am I responding? Hi.
  • 

    nes

    14 feb 13

    oh no, from the twentieth they are random, you're right.
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    nes

    14 feb 13

    he has already replied.
• 

  Luotto

  17 feb 13

  If there had been the Esorciccio, would you have put it in?

   

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