Discutibilissima e prevalentemente prima ondata. Classifica quasi "mission impossible". Dalla sesta posizione in poi molti vanno affiancati. Alla fine sono 20 dischi. Mi prometto di inserire, dove possibile, anche le seconde opere. In alcuni casi valgono più delle prime.
Il primo, quello più vario. Brian James era un macchina da riff e l'album è quello meglio suonato in assoluto.
Secondi, anche se poi i più grandi. Equilibrio perfetto tra temi trattati e angoscia sociale.

3

Sex Pistols • Never Mind the Bollocks Here's the Sex Pistols

Al terzo posto perchè nonostante importanza è sempre stato un clichè ripetitivo. Sovraesposti.
Al quarto posto perchè furono anticipatori e a distanza. Fossero arrivati prima negli UK sarebbero arrivati prima dei Damned.
Tecnicamente la miglior formazione. Damned e Stranglers si sfidavano a cricket regolarmente. Credo si giocarono l'organetto di Dave Greenfield, nel 1977 una perla rara.
I am a poseur and I don't care I like to make people stare. Spesso era Strummer il destinatario di questi epiteti. Ad ogni modo gli X-Ray erano la voce femminile del Punk.
L'emergenze del Punk in un suono decisamente più complesso rispetto ad altri dischi Punk datati 1978.

8

The Adverts • Crossing the Red Sea With The Adverts

I Damned conoscono tre accordi, gli Adverts uno solo...venite ad ascoltarli tutti e quattro. Eppure erano fascinosi e idolatrati. Questo album non contiene il loro miglior successo
Potente, incazzato. Non viene quasi mai citato. Sarà la copertina......
Anche se EP - Ma contiene Boredom e il solo pezzo vale quanto un album.
Diversi da tutti. Circa 35 minuti di anticipazioni sonore arrivate dal futuro.
Punk o no, i Vibrators hanno messo su un album che ha incarnato l'intero movimento punk, canzoni veloci, brevi e brutali con grandi riff e testi, è difficile trovare una forma migliore. Gli occhiali da sole bianchi.....li riprenderà qualcuno nei Decibel.
Tony James non ha mai sbagliato un colpo. L'album arrivò un po' in ritardo ma gli X erano la parte più energica del movimento.
Band crocevia (al pari degli London SS) genesi e appoggio di diverse line up. Gene October il pilastro.
Album tardivo (1979) quindi più maturo e strutturato. Non conoscerlo è una mancanza di fondamentali.
Chi perse il treno nel 1976 trovò spazio quasi 3 anni dopo per il proprio album. Nonostante questo il primo album dei Subs è il suono del punk dei club della prima ondata. Hardcore quanto basta senza essere eccessivo nella potenza.
Il suono della west London in soli 3 accordi. Il Punk genuino.
Anche questo tardivo. Johnny Moped: una colonna portante della primissima ondata.
Il limite massimo tra il Punk prima ondata con il resto a venire.
La cosa più Punk tra quello non punk. (è fuori classifica)
Your comment on the chart

Comments on this chart
  • Buckley
    29 jul
    But what really started it all??? Sex Pistols Never Mind the Bollocks?
     
    • Gabitout
      29 jul
      The ranking is in progress. I’ll add everything and rank soon.
    • Buckley
      29 jul
      There will be: Rezillo’s, Dictators, Cokney Rejects, Dead Boys, U.K. Subs, Sham 69, Stiff Little Fingers, Undertones, Crass, Adverts? saranno:
    • Gabitout
      29 jul
      Also the Adverts, Gen X, and Peter and the Test Tube Babies.
    • Gabitout
      29 jul
      I wrote Adverts but I meant the Saints
  • gaston
    31 jul
    Wipers "Is This Real?
     
    • Buckley
      31 jul
      Here we should distinguish between first wave Punk and Punk after. My suggestions referred to the first wave from '76 to '78.
    • Gabitout
      31 jul
      Yes, obviously first wave Punk. Anything related to the second wave and HC offshoots doesn’t concern me.
    • Buckley
      31 jul
      In fact, your ranking lists classic UK punk bands (except for the Saints), even though punk was born in the USA with the Ramones, Richard Hell & Voidoids, Patti Smith, etc. For me, punk is only the UK one.
    • Gabitout
      31 jul
      Yes, I'm including the Saints because they moved from Australia to the UK to closely follow the developments of the movement (even though they were somewhat rejected...). I absolutely won't include the Ramones or Blondie or the CBGB scene, as they deserve a separate section.
    • gaston
      31 jul
      "Best Punk Album Ever" said the title...well, that's not a problem...:) problema...:)
    • Buckley
      31 jul
      Alright, you're splitting hairs...
    • gaston
      1 aug
      No, but in fact... rankings are very personal after all... de gustibus...
      Adam and The Ants in a punk ranking doesn't seem very relevant to me, for example, but if someone wants to include them, that's perfectly fine.
    • Buckley
      1 aug
      It’s from that period, and if we really want, we could add a trailblazer like Ian Dury.
    • Gabitout
      1 aug
      @[gaston] Sure, unfortunately I wouldn’t know how to specify the title, but I added the description to avoid misunderstandings.
      As for Adam Ant. In my opinion, this was the earlier lineup, still within the Punk aesthetics. Before McLaren took some people away to create BowWowWow. In the singles and up to that album, Adam Ant fits perfectly into the Punk circus. After that, even with a great Pirroni, he became a spectacle.
      Beautiful the reference in the WOT videoclip by Captain Sensible, when in the verse:

      Well, hello Adam, where you been?
      I said a'stand aside 'cause I'm feelin' mean
      I've had a gutful of you and I'm feelin' bad
      Well, you're an ugly old pirate and ain't I glad

      @[Buckley] True. Ian Dury was definitely a pioneer in attitude. It must be said that among the few (UK based) who, during the first wave, were spared the mockery were: Marc Bolan and Peter Hammill. strofa: furono:
    • Buckley
      1 aug
      Great explanation! Your ranking is strictly UK punk, with bands that best represented the socially challenging period that England and the whole UK were going through. Scaruffi made a list of the best punk albums and in the top 100 only 10% are British bands, the rest are just USA bands, mixing HC, post-punk, and other subgenres. Your ranking is much more valuable 👍 P.S. Did I become X-ray Specs?
    • Gabitout
      1 aug
      @[Buckley] I hadn’t found it. I noticed that the search below the ranking, where you can add directly, doesn’t pull from the same database as the searches. It didn't show up for me and then I missed the correct query. Added!
    • Buckley
      1 aug
      It was an innovative group with a brilliant frontwoman
    • Gabitout
      1 aug
      Added the 999. As stated in the description, I will complete with the second issues (consistent with the theme) where appropriate. Now it's time to go to the beach.
    • Buckley
      1 aug
      I have a thought about that period that I experienced fully, being twenty at the time. It was more of a social phenomenon than a musical one, even though a new band would form every day, with many “cani” but also skilled musicians—I’m thinking of Matlock before Vicious, Rotten himself, the two Joneses (Pistols and Clash), Severin, Pirroni, Devoto, Shelley, and so on.
    • Buckley
      1 aug
      I’m fond of that period, but many things I can no longer feel.
    • Gabitout
      1 aug
      Devoto is probably the one who has built the most without collecting what is "Due". Essentially, I believe it was a grassroots phenomenon that repeats itself cyclically and in different forms. The difference is always how genuine this drive actually is, and not just a cliché.

      I am a cliche
      I am a cliche, I am a cliche
      I am a cliche, I am a cliche
      I am a cliche you've seen before
      I am a cliche that lives next door
      I am a cliche you know what I mean
      I am a cliche pink is obscene
  • SonHouse
    5 aug
    American punk...No?
     
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