Cover of Ed Harcourt From Every Sphere
zaireeka

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For fans of ed harcourt, lovers of early 2000s indie and piano-driven music, listeners seeking melancholic and romantic albums
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THE REVIEW

Sometimes music critics, those who make a living out of this profession, are ruthless and incomprehensible.

One fine day they take a liking to you, chew on your name for a while, savor it slowly, and talk about it enthusiastically to the world, making it appear in all the newspapers, considering you the "next big thing."

You are very young, you feel honored by so much attention, you strive not to disappoint expectations, you try to surpass yourself next time, convinced you have done even better, but instead…

This happened in the early 2000s to this English lad with considerable talent.

After the extravagant praise for his first EP (in my opinion quite justified, in the time of Napster, in full Tom Waits infatuation, I discovered that splendid song that is “Whistle of a Distant Train” and thought that the man from Ponoma wasn't the only one giving me chills by sitting at a piano and telling stories of trains and such) and his first LP (in my opinion only partly justified) he suddenly finds himself off the pedestal (and in truth, he never climbed back up..), regarded by the critics, who had praised him a moment before, as nothing more than a normal and negligible songwriter “in the manner of.”

And yet no, I adore this "From Every Sphere," his second LP, because these songs have that refreshing taste of the classic, of returning home to your parents, especially when they are no longer there.

And in the September air, they feel as right as a light pullover after those unbearable sweats caused by that splendid yet unbearable hammering sun of a summer now over.

They often smell of the past.

Songs like "Metaphorically Yours," are moving in melodies and harmonies, refined and imaginative in arrangements.

Songs “waiting for the rain,” to wash everything else away, so that sometimes all that remains is a slow waltz, the sound of the piano, a voice, a trumpet, a light tinkling.

Unbearable romanticism, some might say cloying, but I find it isn’t so.

The echo of that melodic sequence of five hidden notes, perhaps already heard, which you perceive only subconsciously and which convey that sense of melancholy that comes from afar.

One of the best albums of the early 2000s, a pity that few noticed it, but, you know, I don't understand much about music.

But about pullovers, yes, however…

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Summary by Bot

The review reflects on Ed Harcourt's sophomore album 'From Every Sphere' as an overlooked gem of the early 2000s. Despite mixed critical reception, the reviewer praises its classic melodies, emotional depth, and refined arrangements. The album evokes nostalgia, warmth, and melancholic beauty, especially through piano-driven ballads and subtle instrumental touches. It stands out as a heartfelt and timeless work deserving more attention.

Tracklist Lyrics Videos

01   Bittersweetheart (04:31)

02   All of Your Days Will Be Blessed (03:42)

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03   Ghost Writer (04:18)

04   The Birds Will Sing for Us (04:26)

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05   Sister Reneé (04:44)

06   Undertaker Strut (03:41)

07   Bleed a River Deep (04:48)

08   Jetsetter (03:56)

09   Watching the Sun Come Up (05:47)

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10   Fireflies Take Flight (04:35)

11   Metaphorically Yours (04:49)

12   From Every Sphere (07:38)

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13   The Hammer and the Nail (07:47)

Ed Harcourt

Ed Harcourt is an English singer-songwriter and multi-instrumentalist known for piano-led songs, rich arrangements and melancholic, romantic lyrics. His early-2000s albums (including Here Be Monsters and From Every Sphere) received critical attention.
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By zzzzzzzzzzzzzzzzzzzz

 "He’s only 23 years old and has great talent, he’s not afraid to mix musical genres... and incredible but it works perfectly!!!"

 "’From Every Sphere’ is a rich pop album with a streak of masochism and melancholy in the lyrics (like only true romantics...) just what I needed to stretch these last days of winter lethargy..."