Cover of Eberhard Weber The Colours of Chloë
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For fans of eberhard weber, lovers of chamber jazz, listeners seeking atmospheric and emotionally rich jazz albums, and those interested in 1970s jazz innovations.
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LA RECENSIONE

For over half a century the customs officer Rousseau hasn't created cotton candy worlds.

With the same childlike eyes, the rosy warmth of an afternoon and the curling bramble of a rose garden accommodate an old-fashioned family with serene looks. A life colored in warm tones, portrayed by Maja Weber.

With “More Colours” the outlines blur.

It has a tacit compactness, a soft and weighty texture, this first album by Eberhard Weber. Despite the diverse directions, in the varied chromaticism of the four tracks.

What makes his music jazzy? Certainly not the sweat on the brow, but a certain kind of stormy demeanor, of inner turmoil.

It lacks the crystalline craftsmanship of his other works, the eager Chloë, but the atmosphere —the chamber-jazz, sleepy or lively, of a clouded crossroads— that can flood every corner with ancient pink and turquoise, that yes, is his hallmark.

Only in his hands can a cello float, among scarlet clouds and evenings cloaked in lavender.

Only by untying the moorings, can it be colored in every hue.

Not least, that of an opaline drone, which is anything but monotony.

And of a candor of silence, which is anything but a lack.

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Summary by Bot

The Colours of Chloë by Eberhard Weber is a softly textured debut album featuring a blend of chamber jazz moods. The review highlights its warm, colorful atmosphere with a mix of lively and sleepy tones. While not as polished as some of Weber's other works, it captures his unique ability to evoke vivid imagery and emotional depth through his music. The album's cello use and tonal variety are praised for creating an opaline, serene experience.

Tracklist

01   More Colours (06:40)

02   The Colours Of Chloë (07:45)

03   An Evening With Vincent Van Ritz (05:46)

04   No Motion Picture (19:56)

Eberhard Weber

German double bassist and composer (born 1940), associated with ECM Records, known for a lyrical, atmospheric approach to the electric double bass and for orchestral, chamber-like jazz arrangements.
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