Norwegian avant-garde black metal group formed in 1994, noted for combining electronics, industrial and experimental elements with extreme metal across several albums.

Early material (Kronet til Konge) is rooted in traditional black metal; later releases such as 666 International and Supervillain Outcast blend electronics and industrial elements. A Umbra Omega is described by reviewers as a challenging, long-form avant-garde work.

DeBaser's reviews describe Dødheimsgard as a Norwegian group that moved from early black metal toward an avant-garde, electronic and industrial sound. 666 International is seen as a landmark, Supervillain Outcast praised for blending electronics and extreme metal, while A Umbra Omega is described as challenging and radical. Kronet til Konge is viewed as a more traditional early effort with mixed reception.

For:Listeners of avant-garde and experimental black metal; fans of extreme and electronic-infused metal.

 The band manages to perfectly blend electronics and the fiercest black metal, creating a futuristic and alienating atmosphere.

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 Pardon, this isn't an album; this is a journey without destination, a musical exploration in search of anti-music.

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 A cd to be listened to not under a starry sky, but in winter in the apparent nocturnal calm of a crowded and aseptic city.

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 By no means essential, then, but perhaps appreciable in its intents - and, in part, in the results - purely True Black, which if they do not overly save melodies and emotions, at least do so with the atmosphere, heavy and almost acidic in many sections, almost unbreathable.

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