Album heterogeneous and more modern compared to their traditional swing-rock style, which risked becoming obsolete. The fact that the original members remaining are now only two (Mark Knopfler and John Illsley, the bassist) is not unrelated to the change, which we are, however, very pleased with.
This record, in fact, allows us to listen without getting bored, to exploit moments of greater relaxation and sweetness to recharge the focus needed for more intense episodes such as Money for Nothing (critique of massification and consumerism, with the unmistakable vocalizations of Sting) and the title track.
It is undoubtedly very well-crafted, as befits a band now at the peak of fame; impeccable arrangements, meticulously crafted rhythm sections that are a bit more complex to follow but always very elegant (a torture for those like me who love to tap their fingers along to the rhythm of what they listen to!). A small album, nine songs, which is at the same time very rich, each has its own individuality and remains clearly defined in our memory...
The lyrics also vary, ranging from country-folk (So far Away, Walk of Life) to more lyrical and melancholic, and in between, many little stories that our guy sings with ease.
"Can't get anthidote for the blues"
"The title track - a misty anti-war tale sui generis - moves and indelibly marks the soul of the listener."
"'Money For Nothing' marks one of the stylistic changes that no fan will dream of renouncing, accepting it as a natural evolution of the band’s artistic journey."
"Brothers In Arms is the album that immediately comes to mind when you hear mention of the Dire Straits."
"It’s the album of consecration... but it’s not the best."