Cover of Demon Hunter The Triptych
Zerstorer

• Rating:

For fans of christian metal, metalcore enthusiasts, heavy metal listeners, those interested in thematic metal music, and followers of 2000s metal bands
 Share

THE REVIEW

Recently, on a music forum, I read a discussion about the relationship between Rock (and Metal) and occultism, and one of the most popular contributions was from a member who claimed that there were close ties between that type of music and the occult, and that the greatest masterpieces of the genre drew inspiration from this esoteric doctrine. To which I asked myself: Are there bands in the Metal world that, instead drawing inspiration from benevolent or Christian themes, have produced great albums? Well, after listening to this "The Triptych" by the American band Demon Hunter, the answer can only be: absolutely yes.

This group, on its third effort, can be classified as Metalcore, but in the broadest sense of the term, as the detectable influences are many and varied: Sepultura, Pantera, and even a touch of Deftones. The album consistently maintains high standards, with vigorous Thrash-style riffs, growl verses, not very deep but sufficiently aggressive, alternating with melodic choruses where the singer showcases his natural voice, the drummer plays energetically (amazing at the beginning of "Ribcage") without overdoing it, and the guitars (there are three guitarists) are precisely sharp.

The album begins with thirty seconds of angelic chorus, followed abruptly by "Not I": a few seconds of powerful riffing accompanied by the drums, then a growled "Noooo!!" and the true start of one of the best tracks on the album, whose melodic chorus is catchy. The sonic journey continues with the first single "Undying" and the Hardcore ride "Relentless Intolerance". As mentioned, the band doesn’t stick to the usual extreme Metal standards, but shows signs of experimentation, evident in the following "Deteriorate", a ballad initially acoustic, which accelerates at the end, where the singer displays his natural voice (very expressive indeed) and in the final "The Tide Began To Rise", marked by piano and acoustic guitars.

The album reaches very intense points with the excellent "Fire To My Soul" and "The Science Of Lies", but hits the best marks with "The Soldier's Song", certainly the most complete track on the album (and one of the few with a guitar solo in it) and "Snap Your Fingers, Snap Your Neck" (Prong cover), which show that these headbangers of impeccable morals are not the usual fake angry twenty-year-olds.

In conclusion, an excellent album, recommended for Metal lovers, without distinctions.

 

Loading comments  slowly

Summary by Bot

This review praises Demon Hunter's album The Triptych as a powerful example of Christian Metalcore. It highlights the band's blend of thrash riffs, aggressive growls, and melodic choruses, alongside strong musicianship. The reviewer emphasizes the album's experimentation and emotional vocal delivery. Overall, it's a recommended release for Metal fans regardless of subgenre preferences.

Tracklist Lyrics Videos

01   The Flame That Guides Us Home (00:29)

02   Not I (04:14)

04   Relentless Intolerance (04:02)

Read lyrics

06   The Soldier's Song (05:24)

Read lyrics

07   Fire to My Soul (04:03)

08   One Thousand Apologies (04:56)

09   The Science of Lies (04:09)

10   Snap Your Fingers, Snap Your Neck (04:13)

12   The Tide Began to Rise (05:35)

Read lyrics

Demon Hunter

Demon Hunter is an American Christian metal/metalcore band from Seattle, formed in 2000 by brothers Don and Ryan Clark. Known for faith-centered lyrics, a blend of heavy riffs and melody, and the alternation of harsh and clean vocals across a long run of albums.
03 Reviews