The best more
Unfortunately, there are still people who believe that if you're not ugly, you're not a poet... more
High more
Well, yes... they come from Scotland. Top-notch outsiders. more
Stylistic and musical competence from Copeland, Sting, and Summers. more
Extraordinary live on three CDs, which impeccably documents Peter Green's last period with the band. Superior to many of the live recordings considered seminal in the history of rock (which I won’t mention here to avoid controversy). more
Schizophrenia!!! more
Renato Fiacchini; flashy, provocative. more
Rich in delightful nuances. more
Space for creativity and improvisation. more
Intense. more
Fascinating jazz fusion. more
First album of the band for a major label, Warner Bros., released in the music market in November 1988; the sixth record of the quartet in five years. It falls to the sinuous "Pop Song 89," something about the title suggests a light vibe, kicking off another perfect album. The unplugged acoustic of "You Are The Everything" then gives way to the Rock assaults of "Orange Crush" and "I Remember California," not forgetting the dark "Turn You Inside Out," which reminds me of the Cult...IT'S OK... more
So much, immense respect from me for King Buzzo and his Melvins; thirty years after their debut, they still represent the uniqueness of a sound, at the margins of the "Music Business." Deforming, hallucinatory, overflowing in their endless production...PROCREATORS... more
Good up to "monster" after a mix of banal pop songs (just as Stipe and Battiato loved to bring back some unbearable nursery rhymes, if you know what I mean) Quite uninfluential within the history of pop (it is pop we are talking about, monster is the only album that is more "extreme") more
With him, the Stones were at their best. Without him, total nothingness. more
Music that the wannabes usually listen to more